“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros
Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe
Acima, Ernesto Neto, O Sagrado É Amor, 2017

Pinacoteca shows indigenist project of Ernesto Neto

In the Octagon of the Pinacoteca, Cura Bra Cura Té hosts participative activations)
Voltarei e serei milhões

Marcela Cantuária: “Give to whom it hurts”

Artist presents La Larga Noche De Los 500 Años exhibition until December 20, 2019, at A Gentil Carioca Gallery in Rio de Janeiro

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”

Publication presents plural view of Pedro Motta’s work

The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text
AES+F, Inverso Mundus, 2015

14th Curitiba Biennial and the current urgencies

With open borders as a theme, the exhibition is inspired by the celebrations of the 30th anniversary of the fall of Berlin wall
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Pontes sobre Abismos #17

Aline Motta and the personal diving into collective memory

The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades