“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Nas veredas do sertão
36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
“Imagined Communities”, no need to scream to be heard
21st edition of the Sesc_Videobrasil Biennial, inaugurated in sesc 24 de maio, has its highlights in the diversity of themes
The affective rigor of Farnese, in its entirety
Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art
Artist collectives reflect the spirit of the time
Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...
Stephen Dean, the color as a connection of the look
The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
Collaborators of the issue #55
See who are some of the collaborators to the #55 issue of arte!brasileiros
Portrait of Paul Klee when in balance
Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
For an allowed list
Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018
A “Sertão Art” of experimentation and resistance
Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit
