"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character

The place of art

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Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment
Studo para uma Cosmogonia Supercomplexa Metropolitana Expandida

The gaping reality in the work by Guerreiro do Divino Amor

Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market

Istanbul aims to collapse of nature

Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”

What an oblivion!

The art of memory
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017