Anna Maria Maiolino, "Capítulo I", da série "Mapas Mentais", 1971. Foto: Divulgação

“Presente”: a publication that emerges from caring and dialogue

Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...

Far Beyond Art

Choice of Indonesian collective ruangrupa for artistic direction of Documenta reinforces the trend of proposals that goes beyond spaces such as museums and galleries
Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists

Stephen Dean, the color as a connection of the look

The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
Color in Space and Time

A color activist

Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela

ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home

The affective rigor of Farnese, in its entirety

Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art