Cultural management in times of economic and political crisis

Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco

Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective
Nheë Nheë Nheë

Nheë Nheë nheë, genealogy of the tropical leisure

Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
Em 2023, o artista alemão Boris Eldagsen chegou a vencer a premiação Sony World Photography Awards por uma fotografia gerada com inteligência artificial; Eldagsen recusou a honraria

Made by human

Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...

Stephen Dean, the color as a connection of the look

The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.

Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
AES+F, Inverso Mundus, 2015

14th Curitiba Biennial and the current urgencies

With open borders as a theme, the exhibition is inspired by the celebrations of the 30th anniversary of the fall of Berlin wall