A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
ruangrupa cura a documenta quinze

Kassel aims collective experiences in art

The documenta fifteen, scheduled for June 2022, has already announced 14 groups with community practices as participants in the edition; curators also passed through São Paulo and met with 40 people or groups
Color in Space and Time

A color activist

Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros

The regionalization of Art Basel

After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong

The sensitive form

Established in Paris since the 1980s, Julio Villani will debut his new site "D’ICI, DE LÀ" and opens solo exhibition at Chelsea in New York

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment