Laura Vinci

Visual arts get inside FLIP

New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
ruangrupa cura a documenta quinze

Kassel aims collective experiences in art

The documenta fifteen, scheduled for June 2022, has already announced 14 groups with community practices as participants in the edition; curators also passed through São Paulo and met with 40 people or groups

Berlin reduces radicalism of Hubert Fichte

In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.

Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe
Nazareth Pacheco

Nazareth Pacheco: creation as triumph of life

Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Vista e detalhes da instalação "Circa", de Anna Bella Geiger

Anna Bella Geiger’s Crossings

Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Working with memory is working with present

Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times