"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements

Inglourious bastards

Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
Jutai River. State of Amazonas, Brazil, 2017. Photo: Sebastião Salgado.

Paradise must be defended

Sebastião Salgado portrays the beauty of the Amazon and its peoples in an urgent plea for the salvation of the forest

IMS attests affection and defense of the yanomami

Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research

The sensitive form

Established in Paris since the 1980s, Julio Villani will debut his new site "D’ICI, DE LÀ" and opens solo exhibition at Chelsea in New York

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery