Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

The restoration and preservation of the works By Bispo do Rosário...

Artist is currently considered one of the exponents of contemporary Brazilian art, along with important names like Lygia Clark and Hélio Oiticica

The affective rigor of Farnese, in its entirety

Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art

Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
David Magna, T3c36, 2019. acrílico colorido.

The challenge of the possible makes 13ª Havana Biennial breathes

With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
Acima, Ernesto Neto, O Sagrado É Amor, 2017

Pinacoteca shows indigenist project of Ernesto Neto

In the Octagon of the Pinacoteca, Cura Bra Cura Té hosts participative activations)