When art is resistance
More than 100 artists participate in the show "What is not a forest is a political prison" at ReOcupa Gallery, engaging cultural production in a housing movement struggle project
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Other voices
Learn what Lucimara Letelier, founder and director of the Vivo Museum; Renata Bittencourt, executive director of the Inhotim Institute, and Claudinei Roberto da Silva, professor and curator, say on issues surrounding cultural management
New airs at SP-Arte
The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year
Aline Motta and the personal diving into collective memory
The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today
Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
Visual arts get inside FLIP
New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Paiz Art Biennial focuses on cultural diversity and crises in Latin...
In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises














