Working with memory is working with present

Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
O assassinato de Piersanti Mattarella, Governador da Sicília, em 1980.

Witnesses of evil, of good, of life

Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery

Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day

Herzog Occupation: going beyond the political drama

Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975
Jutai River. State of Amazonas, Brazil, 2017. Photo: Sebastião Salgado.

Paradise must be defended

Sebastião Salgado portrays the beauty of the Amazon and its peoples in an urgent plea for the salvation of the forest

The restoration and preservation of the works By Bispo do Rosário...

Artist is currently considered one of the exponents of contemporary Brazilian art, along with important names like Lygia Clark and Hélio Oiticica
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory

13th Havana Biennial captures tensions voltages of the world

From fake news to migrations, from ecology to racism, from city to gender issues, cuba’s largest art event starts on april 12

What an oblivion!

The art of memory