Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
Nheë Nheë nheë, genealogy of the tropical leisure
Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
Stephen Dean, the color as a connection of the look
The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
Inglourious bastards
Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models
Far Beyond Art
Choice of Indonesian collective ruangrupa for artistic direction of Documenta reinforces the trend of proposals that goes beyond spaces such as museums and galleries
Joseph Beuys and the abandonment of art
One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
The restless and tireless look of German Lorca
One of the great modern photographers of our country, member of Foto Cine Clube Bandeirante in the 1950s, born in São Paulo, he left a legacy of more than 70 years transiting through urban records, experimental or advertising photographs
“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
