Made by human
Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
Editorial: In mourning I fight
"We are traversed by the inevitable awareness of the loss of values in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
A place where to remember is to act
Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
A Curatorship
By Aracy Amaral
A CURATORSHIP IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...
The regionalization of Art Basel
After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong
FAMA takes art brut to Itu
With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement
Aline Motta and the personal diving into collective memory
The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
