Índios e Mandacaru

A dive into Ceará’s poetics

The 20th Unifor Art Show: Simultaneities - the art with the word opens at Unifor Cultural Center, in Fortaleza, with curatorial work by Denise Mattar. Read the following interview with the curator

Paiz Art Biennial focuses on cultural diversity and crises in Latin...

In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists

Contexto e Cosmogonia

Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da  Bienal das Amazônias, várias...

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
Pontes sobre Abismos #17

Aline Motta and the personal diving into collective memory

The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
Em 2023, o artista alemão Boris Eldagsen chegou a vencer a premiação Sony World Photography Awards por uma fotografia gerada com inteligência artificial; Eldagsen recusou a honraria

Made by human

Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship