“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Voltarei e serei milhões

Marcela Cantuária: “Give to whom it hurts”

Artist presents La Larga Noche De Los 500 Años exhibition until December 20, 2019, at A Gentil Carioca Gallery in Rio de Janeiro

For an allowed list

Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
Laura Vinci

Visual arts get inside FLIP

New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy

In Verbier, indigenous leader argues that art is not for cowards

Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character

13th Havana Biennial captures tensions voltages of the world

From fake news to migrations, from ecology to racism, from city to gender issues, cuba’s largest art event starts on april 12
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017