Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
O assassinato de Piersanti Mattarella, Governador da Sicília, em 1980.

Witnesses of evil, of good, of life

Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo
Leonilson

The first Leonilson

Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo

Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
Anna Maria Maiolino, "Capítulo I", da série "Mapas Mentais", 1971. Foto: Divulgação

“Presente”: a publication that emerges from caring and dialogue

Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula

Vaivém deals with Brazilian culture beyond art

Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB

Art as Essence

Editorial #50

Clarissa Tossin is featured at Art Basel Hong Kong

Artist is in the Discoveries section with a gallery Commonwealth and Council
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”