Estação da Luz. Photo: Joca Duarte

Museum of the Portuguese Language is reborn in downtown São Paulo

About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
Anna Maria Maiolino

The Alphabet of an Alchemist

At 76, Anna Maria Maiolino wants to take a moment to have fun experiencig new things

Contexto e Cosmogonia

Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da  Bienal das Amazônias, várias...

The regionalization of Art Basel

After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong

Paiz Art Biennial focuses on cultural diversity and crises in Latin...

In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
Vista e detalhes da instalação "Circa", de Anna Bella Geiger

Anna Bella Geiger’s Crossings

Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale
O assassinato de Piersanti Mattarella, Governador da Sicília, em 1980.

Witnesses of evil, of good, of life

Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Dana Awartani

“Imagined Communities”, no need to scream to be heard

21st edition of the Sesc_Videobrasil Biennial, inaugurated in sesc 24 de maio, has its highlights in the diversity of themes
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu