For an allowed list

Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

A detour to Chapada

LTO artistic residence, in Alto Paraíso de Goiás, seeks to create an alternative for production and reflection amid the region considered an ecological sanctuary
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017

Herzog Occupation: going beyond the political drama

Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975

A “Sertão Art” of experimentation and resistance

Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit

New airs at SP-Arte

The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year

ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home

Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale

Sensitive power

Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)