A detour to Chapada

LTO artistic residence, in Alto Paraíso de Goiás, seeks to create an alternative for production and reflection amid the region considered an ecological sanctuary

Photography of the memory

With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017

Stephen Dean, the color as a connection of the look

The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.

They always were

Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...

Flávio de Carvalho: a permanent experimentation

Designer, painter and performer, the artist has an important retrospective at Dlmeida e Dale gallery
Pontes sobre Abismos #17

Aline Motta and the personal diving into collective memory

The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today

IMS attests affection and defense of the yanomami

Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...