Just picturing is no longer enough
Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
Aproximações: Brief introduction to the Brazilian art of the XX century
Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu
Improvisation as a method
interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Berlin reduces radicalism of Hubert Fichte
In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.
IMS attests affection and defense of the yanomami
Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
Paiz Art Biennial focuses on cultural diversity and crises in Latin...
In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
In Verbier, indigenous leader argues that art is not for cowards
Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character
Stirring structures
Questioner, André Komatsu positions his work in a powerful way on questions of the system
