Em 2023, o artista alemão Boris Eldagsen chegou a vencer a premiação Sony World Photography Awards por uma fotografia gerada com inteligência artificial; Eldagsen recusou a honraria

Made by human

Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
O assassinato de Piersanti Mattarella, Governador da Sicília, em 1980.

Witnesses of evil, of good, of life

Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo

New airs at SP-Arte

The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”

The transitory character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions

Berlin reduces radicalism of Hubert Fichte

In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.
Vista e detalhes da instalação "Circa", de Anna Bella Geiger

Anna Bella Geiger’s Crossings

Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...

A book of many hands, minds and lives

Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca