Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists
Índios e Mandacaru

A dive into Ceará’s poetics

The 20th Unifor Art Show: Simultaneities - the art with the word opens at Unifor Cultural Center, in Fortaleza, with curatorial work by Denise Mattar. Read the following interview with the curator
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy

Inglourious bastards

Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models

Sensitive power

Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Sobre o Desenho no Brasil

At the tip of the pencil

Book organized by Claudio Mubarac gives an overview of design history in Brazil

Trans-Formation

Editorial #32

Portrait of Paul Klee when in balance

Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
Anna Maria Maiolino, "Capítulo I", da série "Mapas Mentais", 1971. Foto: Divulgação

“Presente”: a publication that emerges from caring and dialogue

Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula