David Magna, T3c36, 2019. acrílico colorido.

The challenge of the possible makes 13ª Havana Biennial breathes

With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017
Nheë Nheë Nheë

Nheë Nheë nheë, genealogy of the tropical leisure

Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
Hudinilson em seu ateliê

The reinvented world of Hudinilson Junior to be checked in show

Dandi, dark, flaneur, any adjective does not translate who was the artist, the face of São Paulo
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Galleries Curate: a new way of creating a market

In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros
Sobre o Desenho no Brasil

At the tip of the pencil

Book organized by Claudio Mubarac gives an overview of design history in Brazil

Sensitive power

Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)