The place of art

Read the ARTE!Brasileiros editorial

The sensitive form

Established in Paris since the 1980s, Julio Villani will debut his new site "D’ICI, DE LÀ" and opens solo exhibition at Chelsea in New York

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Overview of the "Língua Solta" exhibition, in the foreground "Olha Minha Lingua", by Alex dos Santos. Photo: Ciete Silverio.

Words in the world of things

The first exhibition opened at the Museum of the Portuguese Language, Língua Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Stirring structures

Questioner, André Komatsu positions his work in a powerful way on questions of the system

Istanbul aims to collapse of nature

Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences
Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe