Stephen Dean, the color as a connection of the look
The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
In Verbier, indigenous leader argues that art is not for cowards
Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character
Connections at MAM’s collection
Exhibition that was presented at the Phoenix Art Museum is brought to the institution in São Paulo
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Under the lens of Bárbara Wagner and Benjamin de Burca
With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
Words in the world of things
The first exhibition opened at the Museum of the Portuguese Language, Língua
Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life
A triennial in progress
In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
A garden of codes
The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
A color activist
Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela
