Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
The inclusive policy by Sesc-SP also holds true for art
New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists
Berlin reduces radicalism of Hubert Fichte
In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Istanbul aims to collapse of nature
Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno
Portrait of Paul Klee when in balance
Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
Adriana Varejão: For a cannibal rhetoric
The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Xilo: Body and Landscape
The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades
Just picturing is no longer enough
Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”














