Leonilson

The first Leonilson

Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism

In Verbier, indigenous leader argues that art is not for cowards

Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character

Inglourious bastards

Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe
Hudinilson em seu ateliê

The reinvented world of Hudinilson Junior to be checked in show

Dandi, dark, flaneur, any adjective does not translate who was the artist, the face of São Paulo

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...

Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship