Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
For an allowed list
Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018
I am reflected in my work
Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
They always were
Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments
IMS attests affection and defense of the yanomami
Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
New airs at SP-Arte
The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year
Nheë Nheë nheë, genealogy of the tropical leisure
Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
At the tip of the pencil
Book organized by Claudio Mubarac gives an overview of design history in Brazil
