“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Into the Hurricane
ARTE Director Brasileiros writes in the editorial of the 49th edition that “in art, the answer is an active denunciation” about the scars of centuries that the actions of the state deepen
Aproximações: Brief introduction to the Brazilian art of the XX century
Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu
Publication presents plural view of Pedro Motta’s work
The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text
Other voices
Learn what Lucimara Letelier, founder and director of the Vivo Museum; Renata Bittencourt, executive director of the Inhotim Institute, and Claudinei Roberto da Silva, professor and curator, say on issues surrounding cultural management
Witnesses of evil, of good, of life
Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo
IMS attests affection and defense of the yanomami
Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
From New York to Paris
Artist participated in a residence in New York at AnnexB, and will have works exhibited at the Fondation Cartier in Paris later this year
Pinacoteca reviews and updates Beuys and Oiticica
Exhibition Somos muit+s: experiments on collectivity brings 20th century artists who repositioned art in dialogue with current projects
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
