ArtRio in movement
With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Do not burn after reading
Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
275 Times Northeast
Exhibition À Nordeste, at SESC 24 de maio, seeks to discuss the imaginary about brazilian northeast without folkling it
Witnesses of evil, of good, of life
Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo
At the tip of the pencil
Book organized by Claudio Mubarac gives an overview of design history in Brazil
Adriana Varejão: For a cannibal rhetoric
The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
Inglourious bastards
Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models
Portrait of Paul Klee when in balance
Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
