Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day

Editorial: In mourning I fight

"We are traversed by the inevitable awareness of the loss of values ​​in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
Octógono da pinacoteca de São Paulo

Pinacoteca reviews and updates Beuys and Oiticica

Exhibition Somos muit+s: experiments on collectivity brings 20th century artists who repositioned art in dialogue with current projects
Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists

Photography of the memory

With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma

Istanbul aims to collapse of nature

Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno

Artist collectives reflect the spirit of the time

Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Stirring structures

Questioner, André Komatsu positions his work in a powerful way on questions of the system