Photography of the memory
With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Inglourious bastards
Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Galleries Curate: a new way of creating a market
In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
The first Leonilson
Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo
At the tip of the pencil
Book organized by Claudio Mubarac gives an overview of design history in Brazil
Adriana Varejão: For a cannibal rhetoric
The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Do not burn after reading
Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
Collaborators of the issue #55
See who are some of the collaborators to the #55 issue of arte!brasileiros













