Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades
Índios e Mandacaru

A dive into Ceará’s poetics

The 20th Unifor Art Show: Simultaneities - the art with the word opens at Unifor Cultural Center, in Fortaleza, with curatorial work by Denise Mattar. Read the following interview with the curator

Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros
Dana Awartani

“Imagined Communities”, no need to scream to be heard

21st edition of the Sesc_Videobrasil Biennial, inaugurated in sesc 24 de maio, has its highlights in the diversity of themes

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires

The regionalization of Art Basel

After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong

When art is resistance

More than 100 artists participate in the show "What is not a forest is a political prison" at ReOcupa Gallery, engaging cultural production in a housing movement struggle project
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment