Nas veredas do sertão
36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
New airs at SP-Arte
The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year
Transarte Institute: for a LGBTQ+ future
Transarte is transformed from a gallery into an institute, with a definitive space to ensure the artistic production of the community LGBTQ+
Stirring structures
Questioner, André Komatsu positions his work in a powerful way on questions of the system
Made by human
Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
IMS attests affection and defense of the yanomami
Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
Clarissa Tossin is featured at Art Basel Hong Kong
Artist is in the Discoveries section with a gallery Commonwealth and Council
Inglourious bastards
Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models
Other voices
Learn what Lucimara Letelier, founder and director of the Vivo Museum; Renata Bittencourt, executive director of the Inhotim Institute, and Claudinei Roberto da Silva, professor and curator, say on issues surrounding cultural management
“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character













