Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

For an allowed list

Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018

13th Havana Biennial captures tensions voltages of the world

From fake news to migrations, from ecology to racism, from city to gender issues, cuba’s largest art event starts on april 12

Art as Essence

Editorial #50
Color in Space and Time

A color activist

Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela
David Magna, T3c36, 2019. acrílico colorido.

The challenge of the possible makes 13ª Havana Biennial breathes

With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017

Trans-Formation

Editorial #32

Into the Hurricane

ARTE Director Brasileiros writes in the editorial of the 49th edition that “in art, the answer is an active denunciation” about the scars of centuries that the actions of the state deepen