Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
Carlos Motta points to roots of prejudice and racism in the...
New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment
The first Leonilson
Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo
Contexto e Cosmogonia
Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da Bienal das Amazônias, várias...
In Verbier, indigenous leader argues that art is not for cowards
Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character
A garden of codes
The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
Artistic practice as historian practice
Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
