Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

When art is resistance

More than 100 artists participate in the show "What is not a forest is a political prison" at ReOcupa Gallery, engaging cultural production in a housing movement struggle project

From New York to Paris

Artist participated in a residence in New York at AnnexB, and will have works exhibited at the Fondation Cartier in Paris later this year
Pontes sobre Abismos #17

Aline Motta and the personal diving into collective memory

The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

A book of many hands, minds and lives

Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca

Photography of the memory

With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma
Frequentes Conclusões Falsas

A painting done of debris and memories

Time seems to be hanging on the canvases of David Magila
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements