What an oblivion!

The art of memory

For an allowed list

Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018

They always were

Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments
Acima, Ernesto Neto, O Sagrado É Amor, 2017

Pinacoteca shows indigenist project of Ernesto Neto

In the Octagon of the Pinacoteca, Cura Bra Cura Té hosts participative activations)

New airs at SP-Arte

The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home