A triennial in progress
In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
Sensitive power
Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)
A garden of codes
The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
Paiz Art Biennial focuses on cultural diversity and crises in Latin...
In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
Improvisation as a method
interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira
The challenge of the possible makes 13ª Havana Biennial breathes
With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017
Words in the world of things
The first exhibition opened at the Museum of the Portuguese Language, Língua
Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life
Do not burn after reading
Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
