“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
A triennial in progress
In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
A detour to Chapada
LTO artistic residence, in Alto Paraíso de Goiás, seeks to create an alternative for production and reflection amid the region considered an ecological sanctuary
Editorial: In mourning I fight
"We are traversed by the inevitable awareness of the loss of values in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
Joseph Beuys and the abandonment of art
One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
