The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Herzog Occupation: going beyond the political drama
Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
Photography of the memory
With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma
A triennial in progress
In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Far Beyond Art
Choice of Indonesian collective ruangrupa for artistic direction of Documenta reinforces the trend of proposals that goes beyond spaces such as museums and galleries
For an allowed list
Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018
What happens when we unmake the world?
Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences
