ArtRio in movement
With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
The affective rigor of Farnese, in its entirety
Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art
Visual arts get inside FLIP
New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Just picturing is no longer enough
Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
Other voices
Learn what Lucimara Letelier, founder and director of the Vivo Museum; Renata Bittencourt, executive director of the Inhotim Institute, and Claudinei Roberto da Silva, professor and curator, say on issues surrounding cultural management
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
The transitory character of things
Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized














