Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy

The sensitive form

Established in Paris since the 1980s, Julio Villani will debut his new site "D’ICI, DE LÀ" and opens solo exhibition at Chelsea in New York
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Vaivém deals with Brazilian culture beyond art

Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements
Flávio-de-carvalho

Flávio de Carvalho: a permanent experimentation

Designer, painter and performer, the artist has an important retrospective at Dlmeida e Dale gallery
Estação da Luz. Photo: Joca Duarte

Museum of the Portuguese Language is reborn in downtown São Paulo

About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...