Cultural management in times of economic and political crisis

Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco

Improvisation as a method

interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira

Publication presents plural view of Pedro Motta’s work

The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades

A book of many hands, minds and lives

Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca
Dana Awartani

“Imagined Communities”, no need to scream to be heard

21st edition of the Sesc_Videobrasil Biennial, inaugurated in sesc 24 de maio, has its highlights in the diversity of themes

Editorial: In mourning I fight

"We are traversed by the inevitable awareness of the loss of values ​​in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros

Inglourious bastards

Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models

Into the Hurricane

ARTE Director Brasileiros writes in the editorial of the 49th edition that “in art, the answer is an active denunciation” about the scars of centuries that the actions of the state deepen