The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Vista e detalhes da instalação "Circa", de Anna Bella Geiger

Anna Bella Geiger’s Crossings

Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale
Anna Maria Maiolino

The Alphabet of an Alchemist

At 76, Anna Maria Maiolino wants to take a moment to have fun experiencig new things

Art Basel Miami Beach shows large scale works

Magalí Arriola is the curator responsible for Meridians sector, which will host large-scale installations, videos and performances.

Berlin reduces radicalism of Hubert Fichte

In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.

The transitory character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements

Portrait of Paul Klee when in balance

Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist

Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers

Paiz Art Biennial focuses on cultural diversity and crises in Latin...

In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises