“Presente”: a publication that emerges from caring and dialogue
Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula
The impulses of Iole de Freitas
Book launched by Cobogó and organized by Paulo Venancio Filho shows the artist’s work from the perspective of body and space
Nheë Nheë nheë, genealogy of the tropical leisure
Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
The regionalization of Art Basel
After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong
Inglourious bastards
Anonymous meme profiles on Instagram - such as @freeze_magazine, @jerrygogosian and @newmemeseum - risk cunning criticism at the art world, its peculiarities and its flirtation with unsustainable business models
14th Curitiba Biennial and the current urgencies
With open borders as a theme, the exhibition is inspired by the celebrations of the 30th anniversary of the fall of Berlin wall
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Vaivém deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB
A book of many hands, minds and lives
Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca
