The transitory character of things
Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
Do not burn after reading
Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
Carlos Motta points to roots of prejudice and racism in the...
New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment
Collaborators of the issue #55
See who are some of the collaborators to the #55 issue of arte!brasileiros
Sensitive power
Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)
A Curatorship
By Aracy Amaral
A CURATORSHIP IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...
Herzog Occupation: going beyond the political drama
Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
The affective rigor of Farnese, in its entirety
Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art
A garden of codes
The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language













