The transitory character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
AES+F, Inverso Mundus, 2015

14th Curitiba Biennial and the current urgencies

With open borders as a theme, the exhibition is inspired by the celebrations of the 30th anniversary of the fall of Berlin wall
Nheë Nheë Nheë

Nheë Nheë nheë, genealogy of the tropical leisure

Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth

Editorial: In mourning I fight

"We are traversed by the inevitable awareness of the loss of values ​​in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
Em 2023, o artista alemão Boris Eldagsen chegou a vencer a premiação Sony World Photography Awards por uma fotografia gerada com inteligência artificial; Eldagsen recusou a honraria

Made by human

Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy

Stephen Dean, the color as a connection of the look

The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Voltarei e serei milhões

Marcela Cantuária: “Give to whom it hurts”

Artist presents La Larga Noche De Los 500 Años exhibition until December 20, 2019, at A Gentil Carioca Gallery in Rio de Janeiro

Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day