The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
A dive into Ceará’s poetics
The 20th Unifor Art Show: Simultaneities - the art with the word opens at Unifor Cultural Center, in Fortaleza, with curatorial work by Denise Mattar. Read the following interview with the curator
Always Gay, the transgressor voice of young artists
Free from technical ties they are commites to the libertarian experimentation of a forbidden universe
I am reflected in my work
Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
The restless and tireless look of German Lorca
One of the great modern photographers of our country, member of Foto Cine Clube Bandeirante in the 1950s, born in São Paulo, he left a legacy of more than 70 years transiting through urban records, experimental or advertising photographs
Nheë Nheë nheë, genealogy of the tropical leisure
Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth
Do not burn after reading
Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism
They always were
Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments
Just picturing is no longer enough
Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
