“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Portrait of Paul Klee when in balance
Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
When art is resistance
More than 100 artists participate in the show "What is not a forest is a political prison" at ReOcupa Gallery, engaging cultural production in a housing movement struggle project
Aproximações: Brief introduction to the Brazilian art of the XX century
Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu
The impulses of Iole de Freitas
Book launched by Cobogó and organized by Paulo Venancio Filho shows the artist’s work from the perspective of body and space
Pinacoteca reviews and updates Beuys and Oiticica
Exhibition Somos muit+s: experiments on collectivity brings 20th century artists who repositioned art in dialogue with current projects
Sensitive power
Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)
Other voices
Learn what Lucimara Letelier, founder and director of the Vivo Museum; Renata Bittencourt, executive director of the Inhotim Institute, and Claudinei Roberto da Silva, professor and curator, say on issues surrounding cultural management
ArtRio in movement
With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
