A Curatorship
By Aracy Amaral
A CURATORSHIP IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...
The Alphabet of an Alchemist
At 76, Anna Maria Maiolino wants to take a moment to have fun experiencig new things
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Adriana Varejão: For a cannibal rhetoric
The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Stephen Dean, the color as a connection of the look
The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
Made by human
Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
13th Havana Biennial captures tensions voltages of the world
From fake news to migrations, from ecology to racism, from city to gender issues, cuba’s largest art event starts on april 12
The restoration and preservation of the works By Bispo do Rosário...
Artist is currently considered one of the exponents of contemporary Brazilian art, along with important names like Lygia Clark and Hélio Oiticica
Paradise must be defended
Sebastião Salgado portrays the beauty of the Amazon and its peoples in an urgent plea for the salvation of the forest
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
