For an allowed list
Organized by Paulo Miyada, book ai-5 50 anos: ainda não terminou de acabar seizes the homonymous exhibition that took place in 2018
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
A detour to Chapada
LTO artistic residence, in Alto Paraíso de Goiás, seeks to create an alternative for production and reflection amid the region considered an ecological sanctuary
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Herzog Occupation: going beyond the political drama
Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975
A “Sertão Art” of experimentation and resistance
Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit
New airs at SP-Arte
The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year
ArtRio in movement
With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
Under the lens of Bárbara Wagner and Benjamin de Burca
With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
Sensitive power
Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)














