Galleries Curate: a new way of creating a market

In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
Color in Space and Time

A color activist

Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory

Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language

Collaborators of the issue #55

See who are some of the collaborators to the #55 issue of arte!brasileiros

Connections at MAM’s collection

Exhibition that was presented at the Phoenix Art Museum is brought to the institution in São Paulo
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy