The transitory character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

Collaborators of the issue #55

See who are some of the collaborators to the #55 issue of arte!brasileiros

Sensitive power

Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)
Vista de parte da exposição que está em cartaz no SESC 24 de Maio.

A Curatorship

By Aracy Amaral A CURATORSHIP  IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...

Herzog Occupation: going beyond the political drama

Itaú Cultural dedicates 46th edition of occupation project, portraiting great figures of brazilian culture, to Vladimir Herzog journal killed by military dietrican in 1975

Working with memory is working with present

Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times

The affective rigor of Farnese, in its entirety

Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language