Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day

Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
Carlito Carvalhosa, Já Estava Assim Quando Cheguei, 2019

The inclusive policy by Sesc-SP also holds true for art

New building, which in its first weekend received 24 thousand visitors, presents several works signed by more than 15 artists

Vaivém deals with Brazilian culture beyond art

Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB

A book of many hands, minds and lives

Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades

Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Studo para uma Cosmogonia Supercomplexa Metropolitana Expandida

The gaping reality in the work by Guerreiro do Divino Amor

Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market