Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers

The impulses of Iole de Freitas

Book launched by Cobogó and organized by Paulo Venancio Filho shows the artist’s work from the perspective of body and space
Laura Vinci

Visual arts get inside FLIP

New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary

IMS attests affection and defense of the yanomami

Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research

Photography of the memory

With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy
"À Procura de Emprego", 1948. Courtesy: Galeria Utópica

The restless and tireless look of German Lorca

One of the great modern photographers of our country, member of Foto Cine Clube Bandeirante in the 1950s, born in São Paulo, he left a legacy of more than 70 years transiting through urban records, experimental or advertising photographs

A “Sertão Art” of experimentation and resistance

Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit

Publication presents plural view of Pedro Motta’s work

The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text