FAMA takes art brut to Itu
With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement
Witnesses of evil, of good, of life
Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo
Galleries Curate: a new way of creating a market
In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Joseph Beuys and the abandonment of art
One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory
Visual arts get inside FLIP
New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Artist collectives reflect the spirit of the time
Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...
Words in the world of things
The first exhibition opened at the Museum of the Portuguese Language, Língua
Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life
Editorial: In mourning I fight
"We are traversed by the inevitable awareness of the loss of values in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros













