IMS attests affection and defense of the yanomami
Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
Anna Bella Geiger’s Crossings
Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale
Stephen Dean, the color as a connection of the look
The Franco-American artist works dicroic glass with saturation, reflexivity and transparency.
In Verbier, indigenous leader argues that art is not for cowards
Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character
The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
A Curatorship
By Aracy Amaral
A CURATORSHIP IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
“Presente”: a publication that emerges from caring and dialogue
Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula
Artistic practice as historian practice
Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
