I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Overview of the "Língua Solta" exhibition, in the foreground "Olha Minha Lingua", by Alex dos Santos. Photo: Ciete Silverio.

Words in the world of things

The first exhibition opened at the Museum of the Portuguese Language, Língua Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life

Improvisation as a method

interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira

Art as Essence

Editorial #50

IMS attests affection and defense of the yanomami

Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research
Voltarei e serei milhões

Marcela Cantuária: “Give to whom it hurts”

Artist presents La Larga Noche De Los 500 Años exhibition until December 20, 2019, at A Gentil Carioca Gallery in Rio de Janeiro

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
Frequentes Conclusões Falsas

A painting done of debris and memories

Time seems to be hanging on the canvases of David Magila

The affective rigor of Farnese, in its entirety

Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art

Sensitive power

Rosana Paulino’s exhibition, A costura da memória, finishes at the São Paulo’s Pinacoteca and goes to the Rio Art Museum (MAR)