“Pardo é Papel” or the epic grandeur of a people in...
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Galleries Curate: a new way of creating a market
In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
Publication presents plural view of Pedro Motta’s work
The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text
Nas veredas do sertão
36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
The impulses of Iole de Freitas
Book launched by Cobogó and organized by Paulo Venancio Filho shows the artist’s work from the perspective of body and space
At the tip of the pencil
Book organized by Claudio Mubarac gives an overview of design history in Brazil
The reinvented world of Hudinilson Junior to be checked in show
Dandi, dark, flaneur, any adjective does not translate who was the artist, the face of São Paulo
Half a century of records
On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective
