Visual arts get inside FLIP
New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Artistic practice as historian practice
Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
Kassel aims collective experiences in art
The documenta fifteen, scheduled for June 2022, has already announced 14 groups with community practices as participants in the edition; curators also passed through São Paulo and met with 40 people or groups
Berlin reduces radicalism of Hubert Fichte
In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.
Under the lens of Bárbara Wagner and Benjamin de Burca
With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
Always Gay, the transgressor voice of young artists
Free from technical ties they are commites to the libertarian experimentation of a forbidden universe
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Anna Bella Geiger’s Crossings
Artist honored by Marcantonio Vilaça Prize, in September 2019, showed Circa at the 16th Istanbul Biennale
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times














