ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
Retrato da série 'As Mulheres de Lá', de Fernanda Feher

Art needs identity

Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy

A “Sertão Art” of experimentation and resistance

Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit

Clarissa Tossin is featured at Art Basel Hong Kong

Artist is in the Discoveries section with a gallery Commonwealth and Council
Laura Vinci

Visual arts get inside FLIP

New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Em 2023, o artista alemão Boris Eldagsen chegou a vencer a premiação Sony World Photography Awards por uma fotografia gerada com inteligência artificial; Eldagsen recusou a honraria

Made by human

Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...

Far Beyond Art

Choice of Indonesian collective ruangrupa for artistic direction of Documenta reinforces the trend of proposals that goes beyond spaces such as museums and galleries

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

The regionalization of Art Basel

After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements