In Verbier, indigenous leader argues that art is not for cowards
Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
A Curatorship
By Aracy Amaral
A CURATORSHIP IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
I am reflected in my work
Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
From New York to Paris
Artist participated in a residence in New York at AnnexB, and will have works exhibited at the Fondation Cartier in Paris later this year
Viewing and inter-viewing Cildo Meireles
Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Artistic practice as historian practice
Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
