A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
Flávio-de-carvalho

Flávio de Carvalho: a permanent experimentation

Designer, painter and performer, the artist has an important retrospective at Dlmeida e Dale gallery

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

What an oblivion!

The art of memory

New airs at SP-Arte

The curators Alexia Tala, Marcos Gallon and Tiago Mesquita talk about their proposals for the fair this year
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory
Nazareth Pacheco

Nazareth Pacheco: creation as triumph of life

Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...

The affective rigor of Farnese, in its entirety

Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art
O assassinato de Piersanti Mattarella, Governador da Sicília, em 1980.

Witnesses of evil, of good, of life

Works and trajectories of Letizia Battaglia and Sergio Larrain are at exhibitions at the Moreira Salles Institute in São Paulo