Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship

Galleries Curate: a new way of creating a market

In the troubled context caused by the Covid-19 pandemic, a collaborative platform brings together more than 20 galleries and proposes exhibitions that take place simultaneously in various corners of the world
Nheë Nheë Nheë

Nheë Nheë nheë, genealogy of the tropical leisure

Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth

Editorial: In mourning I fight

"We are traversed by the inevitable awareness of the loss of values ​​in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades

Contexto e Cosmogonia

Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da  Bienal das Amazônias, várias...

A “Sertão Art” of experimentation and resistance

Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit
Anna Maria Maiolino, "Capítulo I", da série "Mapas Mentais", 1971. Foto: Divulgação

“Presente”: a publication that emerges from caring and dialogue

Conceived by Anna Maria Maiolino and Paulo Miyada in response to the reality of social distancing, Presente brings together exchanges of correspondence between curators, artists and researchers such as Lisette Lagnado, Tania Rivera and Dalton Paula
Color in Space and Time

A color activist

Falecido ao final de julho deste ano, o venezuelano Cruz-Diez ganha individual no Espaço Cultural Porto Seguro; mostra é a última que o artista ajudou a organizar e tem curadoria de Rodrigo Villela

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros