Artist collectives reflect the spirit of the time

Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...

Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective

Adriana Varejão: For a cannibal rhetoric

The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery

In Verbier, indigenous leader argues that art is not for cowards

Brazilian Naine Terena participates in a meeting of Switzerland, organized by Jochen Volz, with a strong political character

Cultural management in times of economic and political crisis

Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco

Viewing and inter-viewing Cildo Meireles

Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca

Portrait of Paul Klee when in balance

Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
David Magna, T3c36, 2019. acrílico colorido.

The challenge of the possible makes 13ª Havana Biennial breathes

With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017