Vaivém deals with Brazilian culture beyond art

Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB

Editorial: In mourning I fight

"We are traversed by the inevitable awareness of the loss of values ​​in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
Studo para uma Cosmogonia Supercomplexa Metropolitana Expandida

The gaping reality in the work by Guerreiro do Divino Amor

Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Acima, Ernesto Neto, O Sagrado É Amor, 2017

Pinacoteca shows indigenist project of Ernesto Neto

In the Octagon of the Pinacoteca, Cura Bra Cura Té hosts participative activations)

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca

Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences

Artist collectives reflect the spirit of the time

Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...
"Cantos de Esquinas", Maxwell Alexandre, 2019. Photo: Gabi Carrera.

“Pardo é Papel” or the epic grandeur of a people in...

Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character

IMS attests affection and defense of the yanomami

Claudia Andujar’s second show at the institution brings her commitment to the indigenous cause in exemplary research