"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
David Magna, T3c36, 2019. acrílico colorido.

The challenge of the possible makes 13ª Havana Biennial breathes

With this theme, the exhibition appears after four years, interrupted by the hurricane Irma in 2017

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
Índios e Mandacaru

A dive into Ceará’s poetics

The 20th Unifor Art Show: Simultaneities - the art with the word opens at Unifor Cultural Center, in Fortaleza, with curatorial work by Denise Mattar. Read the following interview with the curator
Juliana Notari, Mimoso, 2014

275 Times Northeast

Exhibition À Nordeste, at SESC 24 de maio, seeks to discuss the imaginary about brazilian northeast without folkling it

Carlos Motta points to roots of prejudice and racism in the...

New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment

Into the Hurricane

ARTE Director Brasileiros writes in the editorial of the 49th edition that “in art, the answer is an active denunciation” about the scars of centuries that the actions of the state deepen

A detour to Chapada

LTO artistic residence, in Alto Paraíso de Goiás, seeks to create an alternative for production and reflection amid the region considered an ecological sanctuary