The reinvented world of Hudinilson Junior to be checked in show
Dandi, dark, flaneur, any adjective does not translate who was the artist, the face of São Paulo
Made by human
Segundo o autor Frank Wynne, em seu livro Eu fui Vermeer, o falsário holandês Han van Meegeren pintava como Johannes Vermeer, mais de dois...
Nazareth Pacheco: creation as triumph of life
Exhibition Registros/Records... in the gallery Kogan Amaro condenses the work of memory made by the artist throughout her life
Museum of the Portuguese Language is reborn in downtown São Paulo
About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized
The affective rigor of Farnese, in its entirety
Exhibition revisits the graphic and three-dimensional work of the Minas Gerais artist, trying to understand its genesis and repositioning its importance in the history of Brazilian art
New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
Stirring structures
Questioner, André Komatsu positions his work in a powerful way on questions of the system
Connections at MAM’s collection
Exhibition that was presented at the Phoenix Art Museum is brought to the institution in São Paulo
Cultural management in times of economic and political crisis
Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco
The first Leonilson
Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo
