A triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...

Photography of the memory

With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca

Artist collectives reflect the spirit of the time

Both the choice of five collectives as nominees for the Turner Prize, in 2021, and the announcement of 14 collectives as the first participants...
Leonilson

The first Leonilson

Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”
Sobre o Desenho no Brasil

At the tip of the pencil

Book organized by Claudio Mubarac gives an overview of design history in Brazil
Laura Vinci

Visual arts get inside FLIP

New project seeks to insert arts in the Paraty International Literary Festival and pannels with names that work visual arts in their most various forms show that the event seeks to be even more interdisciplinary
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades
Estação da Luz. Photo: Joca Duarte

Museum of the Portuguese Language is reborn in downtown São Paulo

About five years after the fire that hit its headquarters at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized