I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca

Stirring structures

Questioner, André Komatsu positions his work in a powerful way on questions of the system

Portrait of Paul Klee when in balance

Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires

They always were

Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments

FAMA takes art brut to Itu

With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences

Artistic practice as historian practice

Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship

Cultural management in times of economic and political crisis

Seminar held by ARTE!Brasileiros and Itaú Cultural brought together managers, artists and experts to discuss the challenges and ways for cultural management in the contemporary context; learn what Eduardo Saron, Fabio Szwarcwald, Jochen Volz, Gabriela Noujaim, Jonathas de Andrade, Ana Carla Fonseca and Katia de Marco