Liz Under, Mudo, 2016

Always Gay, the transgressor voice of young artists

Free from technical ties they are commites to the libertarian experimentation of a forbidden universe

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
"Gargalheira ou quem falará por nós", Sidney Amaral, 2014. Foto: Coleção particular/Cortesia Sesc Jundiaí

Letter to Sidney Amaral

In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Cozinha Aberta

A place where to remember is to act

Founded in the 1940s by progressive Jews, Casa do Povo overcomes 30 years of crisis and consolidates itself as a prolific cultural center, experimental space of coexistence and performance of multidisciplinary artistic collectives and autonomous movements

José Damasceno and Mona Lisa’s smile

It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences

The place of art

Read the ARTE!Brasileiros editorial

Half a century of records

On the walls of the Espaço Cultural Porto Seguro, 400 photos composed Carlos Moreira’s retrospective

A “Sertão Art” of experimentation and resistance

Intitled SertÃo, 36º Panorama of Brazilian Art, at MAM, raises current political issues through the work of 29 artists, mostly young people who work outside the institutional and marketing artistic circuit