Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades
Coleção Orandi Momesso

Aproximações: Brief introduction to the Brazilian art of the XX century

Exhibition curated by Aracy Amaral inaugurated iat the Fábrica de Arte Marcos Amaro (Fama) which, in the process of settlement, causes fascination and is a gift for Itu
Anna Maria Maiolino

The Alphabet of an Alchemist

At 76, Anna Maria Maiolino wants to take a moment to have fun experiencig new things

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language
AES+F, Inverso Mundus, 2015

14th Curitiba Biennial and the current urgencies

With open borders as a theme, the exhibition is inspired by the celebrations of the 30th anniversary of the fall of Berlin wall

Under the lens of Bárbara Wagner and Benjamin de Burca

With a multidisciplinary audiovisual work produced in universes at once pop and marginalized from different cities in the world, the duo wins prominent position and will represent Brazil at the Venice Biennale
Jutai River. State of Amazonas, Brazil, 2017. Photo: Sebastião Salgado.

Paradise must be defended

Sebastião Salgado portrays the beauty of the Amazon and its peoples in an urgent plea for the salvation of the forest

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros
Studo para uma Cosmogonia Supercomplexa Metropolitana Expandida

The gaping reality in the work by Guerreiro do Divino Amor

Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
Gustavo Nobrega

Do not burn after reading

Enthusiast of the mail art, Gustavo Nóbrega, director at Superfície Gallery, wants to foment the interest by pieces of the movement in the collectionism