Improvisation as a method

interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira

Contexto e Cosmogonia

Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da  Bienal das Amazônias, várias...

Art as Essence

Editorial #50

The transitory character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions

Istanbul aims to collapse of nature

Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno

Connections at MAM’s collection

Exhibition that was presented at the Phoenix Art Museum is brought to the institution in São Paulo

The sensitive form

Established in Paris since the 1980s, Julio Villani will debut his new site "D’ICI, DE LÀ" and opens solo exhibition at Chelsea in New York
Joseph Beuys, La Rivoluzioni Siamo Noi (1972). Foto: Cortesia Bergamin & Gomide.

Joseph Beuys and the abandonment of art

One of the most radical and influential artists of the second half of the 20th century, an inescapable reference for contemporary production, would complete 100 years in 2021; arte!brasileiros publishes text that analyzes different moments and works of the german artist’s trajectory
“Chuck Coma sofreu uma lesão cerebral por hipóxia depois que seu colega de cela o estrangulou na penitenciária federal em Lewisburg, Pensilvânia, privando seu cérebro de oxigênio. Desde então, ele tem sofrido de perda de memória, alterações extremas de humor e tremores ocasionais. No momento de sua prisão, Coma estava lutando contra um grave PTSD devido ao serviço militar no Panamá e na Guerra do Golfo. Antes das guerras, ele era um pouco encrenqueiro, mas não tinha problemas sérios com a lei. Quando ele deixou o serviço, não conseguiu segurar um emprego e começou a assaltar bancos”. Shelton, Washington. EUA. 2019. | Crédito: Peter van Agtmael/Magnum Photos. Cortesia do fotógrafo.

What happens when we unmake the world?

Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and preclude our oblivion of war’s cruel consequences
Fabricio Lopes, Estuário, 2008-2009.

Xilo: Body and Landscape

The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades