Contexto e Cosmogonia

Este período concentrou inúmeras iniciativas no mundo das artes plásticas. Coincidiram as aberturas da Bienal de São Paulo e da  Bienal das Amazônias, várias...

Berlin reduces radicalism of Hubert Fichte

In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.

A garden of codes

The duo Detanico Lain presents its second individual in an institution in Brazil and show its relation with the language

Paiz Art Biennial focuses on cultural diversity and crises in Latin...

In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
Studo para uma Cosmogonia Supercomplexa Metropolitana Expandida

The gaping reality in the work by Guerreiro do Divino Amor

Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market

13th Havana Biennial captures tensions voltages of the world

From fake news to migrations, from ecology to racism, from city to gender issues, cuba’s largest art event starts on april 12
Vista de parte da exposição que está em cartaz no SESC 24 de Maio.

A Curatorship

By Aracy Amaral A CURATORSHIP  IS NOT AN EASY TASK TO BE CONCEIVED. Especially if the number of participants is extensive, the space difficult, and...

Portrait of Paul Klee when in balance

Show in the Centro Cultural Banco do Brasil in São Paulo explains the genius of the swiss artist
"À Procura de Emprego", 1948. Courtesy: Galeria Utópica

The restless and tireless look of German Lorca

One of the great modern photographers of our country, member of Foto Cine Clube Bandeirante in the 1950s, born in São Paulo, he left a legacy of more than 70 years transiting through urban records, experimental or advertising photographs

“We agreed we are not going to die”, 2019

Confira editorial da edição 47 da ARTE!Brasileiros