The gaping reality in the work by Guerreiro do Divino Amor
Winner of the 2019 Pipa Prize, the artist has been developing the Superfictions series for about 15 years, through which he deals with profound social and symbolic issues, from media manipulation to colonialism, from social segregation to the power of the neo-Pentecostal churches, from state violence to power of marketing and market
The first Leonilson
Collection by Antonio Dias, with 38 works, sheds light on the early years of the artist from Ceará, especially in works sold in Europe, is in a show at Pinakotheke, now in São Paulo
Art needs identity
Artist-in-residence at Pivô research program, Fernanda Feher only found herself when she united art with militancy
Pinacoteca shows indigenist project of Ernesto Neto
In the Octagon of the Pinacoteca, Cura Bra Cura Té hosts participative activations)
Publication presents plural view of Pedro Motta’s work
The book brings together ten series produced by the plastic artist and photographer in the last decade, each accompanied by an author’s text
The reinvented world of Hudinilson Junior to be checked in show
Dandi, dark, flaneur, any adjective does not translate who was the artist, the face of São Paulo
The transitory character of things
Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
Vaivém deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock under multiple perspectives in CCBB
The regionalization of Art Basel
After having been successful in sales in the Miami Beach edition, the fair lands in Hong Kong
They always were
Exhibitions “Women’s Histories” and “Feminist Histories” at MASP map the plastic creation of authors in different historical moments














