New collaboration platforms for contemporary art seek to revise Biennials
Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
275 Times Northeast
Exhibition À Nordeste, at SESC 24 de maio, seeks to discuss the imaginary about brazilian northeast without folkling it
Into the Hurricane
ARTE Director Brasileiros writes in the editorial of the 49th edition that “in art, the answer is an active denunciation” about the scars of centuries that the actions of the state deepen
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
Xilo: Body and Landscape
The inaugural exhibition of the new Sesc building captivates the lively woodcut production in São Paulo in the last three decades
The impulses of Iole de Freitas
Book launched by Cobogó and organized by Paulo Venancio Filho shows the artist’s work from the perspective of body and space
Aline Motta and the personal diving into collective memory
The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Paradise must be defended
Sebastião Salgado portrays the beauty of the Amazon and its peoples in an urgent plea for the salvation of the forest
Sérgio Sister and his resistance weapons
The austere and rigorous works that Sister produces today keep, from the paintings and drawings of his early period, the same force.
