What an oblivion!

The art of memory

New collaboration platforms for contemporary art seek to revise Biennials

Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge

Just picturing is no longer enough

Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”

FAMA takes art brut to Itu

With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement

ArtRio in movement

With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home

Working with memory is working with present

Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times

I am reflected in my work

Grada Kilomba assumes personal positioning as a way of counteracting colonialist culture; Portuguese artist launches book and participates in exhibitions at Pinacoteca
Octógono da pinacoteca de São Paulo

Pinacoteca reviews and updates Beuys and Oiticica

Exhibition Somos muit+s: experiments on collectivity brings 20th century artists who repositioned art in dialogue with current projects

Nas veredas do sertão

36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers

Improvisation as a method

interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira