Viewing and inter-viewing Cildo Meireles
                Carioca artist’s extensive “poetic and historical anthology” occupies Sesc Pompeia, in São Paulo, with about 150 works that defy the senses, invite interaction and point to the permanence of violence experienced in Brazil since the colonial and the military dictatorship period to this day            
            
        Berlin reduces radicalism of Hubert Fichte
                In an ambitious encyclopedic project, Haus der Kulturen der Welt does not treat sexuality and spirituality with the same vigor as the German author’s narratives.            
            
        Istanbul aims to collapse of nature
                Curated by Nicolas Bourriaud, “The seventh continent” maps productions around the Anthropoceno            
            
        Carlos Motta points to roots of prejudice and racism in the...
                New York-based Colombian artist presents traces of inquisition and slavery as key to understanding the present moment            
            
        New collaboration platforms for contemporary art seek to revise Biennials
                Diana Wechsler, Argentine researcher at Conicet (National Council for Scientific and Technical Research) and director of the art and culture area at the National University of Tres de Febrero (UNTREF), has been following BIENALSUR since its inception and now in its second edition, comments on the results. this challenge
            
            
        Just picturing is no longer enough
                Because Swinguerra, by Barbara Wagner and Benjamim de Burca, is a work that dialogues with the concept of “standpoint”            
            
        FAMA takes art brut to Itu
                With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement            
            
        ArtRio in movement
                With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home             
            
        Working with memory is working with present
                Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times            
            
        
		
















