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“Pardo é Papel” or the epic grandeur of a people in formation
Presented at Tomie Ohtake Institute after passing through Lyon, Porto Alegre and Rio, Maxwell Alexandre’s show portrays black people in everyday situations with a grandiose, consecrating and historic character
Collaborators of the issue #55
See who are some of the collaborators to the #55 issue of arte!brasileiros
Primeiro catálogo do MACRS destaca importância de seu acervo
Museu de Arte Contemporânea do Rio Grande do Sul, que irrrompeu no cenário artístico de Porto Alegre em 1992, reúne em publicação as quase 2 mil obras de seu acervo e ajuda a destacar papel artístico da cidade
The last great modern architect in Brazil
After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires
Paiz Art Biennial focuses on cultural diversity and crises in Latin America
In an interview with arte!brasileiros, Chilean curator Alexia Tala talks about the 22nd edition of the Guatemalan Biennial, which raised debates about native peoples, their worldviews, and opinions about immigration and contemporary crises
A book of many hands, minds and lives
Organized by Flávio dos Santos Gomes, Jaime Lauriano and Lilia Schwarcz, "Encilopédia Negra" confronts the historiography that denies visibility to the contributions of black people; publication also unfolds in an exhibition at the Pinacoteca
Editorial: In mourning I fight
"We are traversed by the inevitable awareness of the loss of values in our society, which is collapsing", writes Patricia Rousseaux in the editorial of issue #55 of arte!brasileiros
José Damasceno and Mona Lisa’s smile
It gives a certain relief to enter José Damasceno’s exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when a CPI unveils all...
Letter to Sidney Amaral
In the context of holding the exhibition "Viver até o fim o que me cabe! - Sidney Amaral: aproximação", at Sesc Jundiaí, artist and curator Daniel Lima writes a correspondence directed to the São Paulo artist, who died in 2017
The transitory character of things
Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
