Page 77 - ARTE!Brasileiros #61

ENGLISH VERSION FERTILITY AND KINDNESS

EDITORIAL [paGE 8]
information is at the service of reflection. LEONOR AMARANTE is a journalist, of the characters who live throughout this rose in revolt for the second time, occupying expand throughout the city of Lyon, in
FERTILITY AND KINDNESS From training. Sometimes hard to digest. curator and editor. She worked for the infinite existence, he suffers, by not being the Lyon Hills. The uprising lasted six days four routes. On the First Route, on the west
Thus, we are proud of having had a newspaper O Estado de S.Paulo, Veja vulnerable, by not being able to live each before being put down by 12,000 troops. side of the city, visits include mac Lyon,
By patricia roussEaux significant growth not only in the reach magazine, TV Cultura and Memorial da moment as unique. Because he can’t love, According to official documents found the Musée Guimet and the Parc de la Tête
and penetration of our work, of our followers, América Latina. She received the ABCA because he knows he’s going to lose the at the French Ministry of Foreign Affairs, in d’Ór; in the south direction. The second,
we enDeD 2022 with the hope of having a but also in the reading scope and reading awards for editing the magazine ARTE! loved one or fight, because he knows he’s Paris and Nantes, Louise Brunet, after four the Musée des Beaux-Arts; the Musée de
more pluralistic Brazil. A Brazil that demands time of our pages. Today, with the very high Brasileiros (2012) and the Ministry of Culture going to win or lose, and everything will years in prison, was freed and recruited Fourvière, the Lugdunum Musée et théâtres
health care, education and culture, where printing costs, it would be impossible for of Cuba (2009) for her cultural work in that repeat itself again, his desire has become by a great silk dealer, Nicolas Portalis, romains, Parc lpa République, Pont de
everyone is a little bit responsible for their us to achieve this capillarity with just the country. In this issue, she writes about the dormant. You lack nothing. who had promised her a dignified life l’Úniversite and the mHl-Gadagne; to the
role as citizens. printed magazine. show Minha Língua, by Lenora de Barros, There is no yearning for immortality in in a village of Btetir, on Mount Lebanon. east, the Third, Usines Fagor and Place des
arte!brasileiros, which is now 12 In 2022, we reached more than 554,000 and an article about young artists. the Biennale de Lyon choices. She doesn’t Despite her expectations, she encounters Pavillons. Finally, to the north, the Quarto,
years old, worked during the pandemic page views, 225,000 users frequenting deny our fragility, she faces it. It makes clear the same difficulties that existed in France. urdla and Gare sncf Part Dieu.
and after, to communicate the greatest our platform, reaching 74,000 views and MARIA HIRSZMAN is a journalist and art that we are its hostages from the day we Mistreatment, insane working conditions, One of the Biennial’s significant
number of initiatives that took place in readings in one month. On social networks, critic. She worked for Jornal da Tarde and are born, which brings us the certainty that which drive her to keep fighting. installations was set up in one of the pavilions
the world of contemporary art and the on Instagram alone we reached 328,976 O Estado de São Paulo. She is a researcher we are not excluded from time, from the Based on these real data, Bardaouil and of Usines Fagor, the former Fagor-Brandt
efforts that public and public-private accounts. From 2020 onwards, we have in art history, with a master’s degree from time of history, and from the world. Where Fellrath, in a mixture of documentation and appliance factory, which is now partially
institutions made to not dismantle teams doubled our entire audience. USP. For this issue, Maria writes about creating and doing at every moment can fantasy, construct the second movement of undergoing rehabilitation. In the 1980s the
and projects. It went after exhibitions in In this last edition of the year, we criticize the exhibition The Parable of Progress, on free us from the anguish of our own death. the narrative for this biennial: Beyrouth et les factory still employed 1800 workers, after
museums, galleries, alternative spaces certain Brazilian institutional postures display at Sesc Pompeia. “The manifesto imagines a world where Golden Sixties, placing it in Beirut, revisiting different economic cycles, it went into
and became, in recent times, the main and bring an overview of the dismantling vulnerability is actively represented, a a tumultuous chapter of modernism in decline, until its closure in 2015. The place,
channel for disseminating segmented of culture in these last four years and the TADEU CHIARELLI is a curator and art reality as a basis for empowerment rather Lebanon. With Lebanon’s declaration of currently with more than 29 thousand square
media, focused on art as a producer of flourishing of initiatives in important regions critic. He is a professor for the Visual Arts than being shunned as a sign of fragility. independence from France in 1943, Beirut meters, holds cultural events.
one of the richest syntheses of language of the country. course at USP. He was director of the Conceived as a collective declaration, it is became a prized destination for artists “Sensory experiences, contemplation,
of the contemporary individual. We highlight biennials, international Pinacoteca de São Paulo and the USP sustained by a plurality of resilient voices that and intellectuals from the Middle East and memory, transposition. All my work is linked

If we agree with the statements contained market events, unique exhibitions such Museum of Contemporary Art (MAC-USP). thrive in tenderness and flourish in adversity”, Arabic-speaking North Africa. Even so, with to the idea of “memento mori’ [remember
in Saving beauty, by the Korean philosopher as A Parable of Progress , at Sesc Pompeia He has also served as chief curator of the write the curators, in Manifesto da fragility. an exacerbated flow of international capital, that you too will die]” says the Belgian
Byung-Chul Han, who grew up and in SP; renowned artists, such as Lenora de Museum of Modern Art of São Paulo (MAM- Created in 1991, the Lyon Contemporary from 1958, internal tensions broke out and artist, Hans Op de Beeck, in an article for
developed all of his literature in Germany, Barros: Minha Língua, at Pinacoteca de São SP). A columnist on the ARTE!Brasileiros Art Biennale has systematically grown in installed a conflict that lasted 15 years and Yamina Benaï, founder and editor-in-chief of
and with his denunciation that we live in a Paulo, and we dedicate our cover to a warrior, website, he reviews Raphael Galvez’s visitation and fundamentally in the concept ended in 1975 with the Lebanese Civil War. GESTES/S (Groupe Beaux Arts & Cie), “not as
society increasingly prone to the supposed Regina Parra, an excellent Brazilian artist posthumous autobiography. of occupying the city. It was born at the same Here, ethnicity, gender, sexuality and a gloomy or gloomy philosophical position,
lightness of the “smooth” – even Jeff Koons who shows in her works the importance of time as the decline of the Paris Biennale, socioeconomic context were explored but rather as an invitation to consider being
himself, probably the best-selling artist pursuing life and fertility as a synonym of 16ª BiEnnial of lyon [paGEs 10 to 20] which, launched in 1959, was also called as various territories in which individual mortal as a reason to exercise humility and
of our time, at unspeakable prices, says acts of desire. Manifestation Biennale et Internationale des and collective suffering overlap, across empathy, and to see it as essential to be in
that the only reaction he expects from I want to especially thank our brave team, OUR VULNERABILITY Jeunes Artistes, boasting experimentalism generations. More than 230 works and solidarity with others.”
viewers of his works is just a “wow” – our Giulia Garcia, Miguel Groisman, Edu Simões, ON THE AGENDA and allowing entry only to young artists, up documents, by 34 artists, provide evidence In another of Fagor’s warehouses,
role becomes increasingly important (read Coil Lopes and Enelito Cruz, as well as the The 16th edition of the Biennale de Lyon, to 35 years old. Over the years it opened up of how art in difficult times remained active Standing by the ruins of Aleppo, 2021, by
more difficult and lonely). “An aesthetic special collaborators of the printed and which closes its show on December 31, to other suggestions, losing its originality and relevant. “Beirut has a condensed artist Dana Awartani, born in Jeddah, Saudi
judgment presupposes a contemplative digital magazine, for their trust in these 2022 – after being postponed due to the and ended its activities in 2008. microcosm of inconsistencies. It is a city in Arabia, calls for another moment of silence
distance. The art of the smooth suppresses very difficult times. global pandemic – was conceived by Sam Lyon is the third most important French itself, a manifesto of fragility, and it continues and contemplation. An installation over 22
Bardaouil and Till Fellrath, founders and
it.” (page 10) Happy reading, a better 2023 for everyone!. directors of the multidisciplinary curatorial city, due to its history and for having to show vulnerability and determination until meters long and 13 meters wide, built with
We are not talking here about the smooth platform Art Reoriented, launched in 2009 played a leading role in the economy and today”, says the Manifesto. mud bricks from different regions of Saudi
present in minimalism, a movement that Collaborators [paGE 06] in New York, and had as its central motto industrialization in France. Created in Finally, developed during the pandemic, Arabia. A replica of the courtyard of the
emerged in the 1950s and 1960s as a result issue 61 December January February 2022 the Manifesto of fragility antiquity by the will of Rome, due to its in confinement and in one of the moments Great Mosque of Aleppo brings, from its
of industrialization and contemporary with 2023 artebrasileiros.com.br strategic position, it became the capital when the world and global society lived with geometric designs, characteristic of Arab
abstractionism, which valued interest in Cover: Regina Parra, The sinful, 2022. By patricia roussEaux of the Gauls. It was an important political a borderline ordeal, the third movement: culture, the memory of the great damage
geometry, linear forms and color, wanting Photo: GRAYSC, courtesy of the and religious center, and its Christianization A world of infinite promise brings the suffered during the Syrian Civil War.
to break with visual pollution. We speak of Jaqueline Martins Galery after an intense researCh on the took place in the 2nd century. limits and inevitable fragility of our body. At the Musée Guimet – a natural history
smooth in the sense of accessing what is easy, history of Lyon, curators Sam Bardaouil “The city of Lyon itself is also a protagonist: “Whether racialized, colonized, gendered or museum that has been closed for the last
“lists”, wanting to “see everything quickly”, FABIO CYPRIANO, art critic and journalist, and Till Fellrath chose to bring up different we delved into the history of Lyon, which diminished, ‘he is the ultimate manifestation 15 years – the French artist Ugo Schiave
“listen to everything quickly”, “click and be is director of the Faculty of Philosophy, expressions of our fragility, told by works provides an exciting set of strata, to extract of where everything begins and ends,” says occupies the central hall with the work of
clicked as an essence of pleasure”. The “in” Communication, Languages and Arts at from different periods of history and elements we wanted to see artists explore, the Manifest. mixed techniques Grafted memory system,
and “out” suggested by bloggers on duty. PUC-SP and is part of the editorial board contemporaneity. Images and documents then focused on three concentric trajectories In our current state of global, climatic, 2022. an installation with plants, insects,
“The crisis of beauty today consists of ARTE!Brasileiros. In this issue, he writes report, in their own existence, how man that highlight the theme”, says Bardaouil. socioeconomic and political uncertainty, videos showing moments of destruction
precisely in the fact that beauty is reduced about government initiatives in the arts reacts to his fragility through time. As if they had thrown a stone into the lake, provoked by the action of man himself, of nature, insects, fossils, bones, leds on
to its subsistence, to its use or consumption universe in Ceará and makes a critique of “The Manifesto of fragility poses the curators created narratives that develop who deprecates his environment and that horticulture, reflects on the fate of the
value. Consumption annihilates the other the exhibition “Histórias Brasileiras”. vulnerability as a possibility for a form of in concentric circles. The first movement, of others, looking more and more into a environment.
[present in the work], The beauty of art is resistance that is encouraged by the past, The many lives and deaths of Louise Brunet, mirror in which he drowns like Narcissus, Daniel de Paula, who lives in Brazil
a resistance to it.” (p.98) JOTABÊ MEDEIROS is a reporter and sensitive to the present and prepared to tells the story of an individual, in this case art ends up being a element of permanent and Maastricht, Netherlands, gained
Being able to accept art as a producer of writer, biographer, among others, of the face the future”, says art historian Isabelle the story and resistance of Louise Brunet, denunciation, a sensitive cry. prominence on the second floor of Guimet
meanings, whether pleasant or disturbing, singer Belchior. He was a reporter for O Bertolotti, artistic director of the Biennale a weaver (spinner), in the powerful silk In this sense, the documentary and with the installation Veridical Shadows or
implies accepting our vulnerability and that Estado de S.Paulo and Folha de S.Paulo, de Lyon. industry in Lyon, and her participation in fantastic construction based on more Unfoldings of a Deceptive Physicality, a
it can generate more life. We spoke a lot assistant editor for Veja SP, editor for TV Simone de Beauvoir, one of the most the famous Revolt of the Canuts in 1834. than 125 artists, scrutinizing 3000 years, contemporary sculpture, composed of
about this from our visit to the 16th Biennale Gazeta and Carta Capital. He is editor-in- famous French writers of the 20th century, Canuts were 19th century silk workers reconsidering History, often forgotten or different materials borrowed or purchased
of Lyon, entitled Manifesto of Fragility. chief of the Farofafá website. In this issue, wrote back in 1946 a classic of French from Lyon, often working on jacquard looms, marginalized, allows us to reflect on the from public and private institutions after
As editors, critics, researchers and he analyzes the collapse of culture during existentialism, All men are mortal. In it, the were subject to extremely poor working difficulties that persist. negotiations. He puts this set of discarded
observers, we try to produce work in which Bolsonaro’s administration. protagonist Fosca is immortal and, in each conditions. On February 14, 1834, the Canuts The exhibitions and their narratives things in dialogue with a Roman funerary
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