Page 79 - ARTE!Brasileiros #61

ENGLISH VERSION FERTILITY AND KINDNESS

mask, preserved in Lugdunum – Museum Newspaper. A balance of transactions was and the Musée d’Orsay – in all, there were 16ª BiEnnial of lyon [paGEs 28 and 29] reflection that goes beyond what has already release of new fundraising would necessarily
and Roman Theaters. Space and time form not disclosed though. 20 exhibitions or interventions open to the been validated by the market, which is based be conditioned to the analysis of these old
part of the complex web we traverse. However, according to the French public –, in addition to creating connections PARIS INTERNATIONALE on instincts and feelings not necessarily accounts – a veiled stoppage, since there

In a completely different reading, newspaper Le Monde , the new Parisian with the worlds of fashion, design and cinema. In parallel to French Art Basel, Paris guided by the idea of effectiveness”, Clément were no specialized personnel available
the Swede Tarik Kiswanson resorts to fair, which took place from October 20th This also reflected, apparently, an Internationale held its eighth edition, with Chéroux, director of the Henri Cartier- for the task, which forced Congress and
chrysalises that, almost levitating, defying to 23rd, at the Grand Palais Éphémère – a interesting aspect of the recent changes 60 galleries from 26 countries. One of Bresson Foundation (Le Quotidien de l’Art) the Federal Audit Court (tcu) to intercede
gravity, are hung upside down from furniture temporary venue, while renovations take that occurred in the mcH group, whose the highlights of the fair was the space it and overthrow the restriction.
that belongs to the museum’s history, place at the Grand Palais – would have stock control passed into the hands of occupied: the former studio of Gaspard- “The different editions of Art Basel are not Then, the Rouanet Law, modified by
creating a feeling of uncertainty. caused seismic shocks in its rival, Frieze James Murdoch, son of Rupert Murdoch Félix Tournachon (1820-1910), known as made up of the same galleries depending ordinances, started to demand an unrealistic
The Brazilian Valeska Soares, born in Belo , launched in 2003 and taking place in the (media tycoon owner of Fox News and Nadar, a pioneer of photography in France. on where you are, whether in Basel, Miami fee to finance presentations by artists (R$ 3
Horizonte and who lives and works between first half of October, in London. There were staunch supporter of Donald Trump), a The address was famous for having hosted, or Hong Kong: they really have an eye thousand) and to prohibit the same sponsor
Brooklyn (usa) and São Paulo, created a new rumors that some gallery owners saved businessman with a strong presence in in 1874, an important impressionist towards local scenes”, George-Philippe from financing consecrated events of the
version of her installation Folly for the Bienal their best works for the French fair, to the the us entertainment market. exhibition. The galleries were arranged Valois, Art Selection Committee Paris+ cultural calendar – which led to important
de Lyon, a set of mirrors, where the video detriment of the English one. From Brazil, A Gentil Carioca participated, on five floors, covering an area of almost (Le Quotidien de l’Art) events, such as the São Paulo International
Tonight, 2002, is projected. recorded in an Also according to the publication, the which showed 18 works by the painter 3,000 square meters. Film Festival, to stop using public resources
old building, Cassino Pampulha, designed impact was due not only to the novelty of Maxwell Alexandre from Rio de Janeiro at The expography was conceived by the “There are more French galleries at in its realization.
by Niemeyer. “In space, the spectator is the fair itself, but to the strengthening of the Art Basel in Paris. As well as Fortes D’Aloia architecture office Christ & Gantenbein, Paris+ than there are English at Frieze in A certain climate of political animosity
surrounded by dancers in an endless dance. art market in France in recent years, with & Gabriel, which premiered in Paris its from Switzerland, with great expertise London”, Philippe Charpentier, Galerie Mor also created a veiled boycott of established
The installation speaks of solitude. From a the opening of the Bourse de Commerce, representation – in partnership with Gomide in projects in the art world, such as the Charpentier (Le Quotidien de l’Art) institutions. The Pinacoteca do Estado de
distant Other, fleeting, but not impossible”, with the Pinault collection, and the arrival of & Co – of the Argentine plastic artist León extensions they made for the Kunstmuseum São Paulo, for example, was only authorized
reads the guide to the Manifesto of Fragility, new galleries to the Avenue Matignon circuit, Ferrari (1920-2013), who by the end of August Basel, the Swiss National Museum and the articlE cultural institutions [paGEs 30to 33] to raise R$ 27 million to carry out its 2023
published by the Bienal. The installation such as Mariane Ibrahim, from Chicago had received the first major retrospective macBa, in Barcelona. For Paris Internationale, annual plan last November, which puts its
was conceived in a dedicated space on the (usa), whose focus is artists from the African of his work at a French museum, the Centre the architects kept the building’s raw THE COLLAPSE entire museological and administrative
Place des Pavillons. diaspora. Including, of course, the lingering Pompidou. structure virtually intact, adding a lighting OF CULTURE action project at risk. In this year of 2022,
The Lyon Biennale brought different echoes of Brexit on the British economy At the fdaG stand, Ferrari’s works were system and temporary walls. The destruction strategy persists even in engulfed by the electoral agenda of almost
expressions, the product of careful research as a whole. displayed in dialogue with creations by For gallerist Jaqueline Martins, who the final days, with rigging and boycotts; it the entire Bolsonarist “politburo” in the
and the choice of unique works of ethical In its first edition, Paris+ had the contemporary Brazilian artists, such as participated in the fair for the second will be up to the new government to work sector, the tax waiver law could end the
and aesthetic quality. In conversation, it participation of 156 galleries from 30 Anderson Borba, Marina Rheingantz, Yull time, the expography drew attention for together to recover the sector year with a third of what was raised last year.
allowed artists from different cultures to countries – 60 of which are based in the Yamagata and Erika Verzutti. Alex Gabriel, “trying to break with the hierarchy between By JotaBê mEdEiros “The entire federal public structure linked
create an environment for reflection based French capital. According to its director, one of the fdaG partners, celebrated the booth sizes”, despite the difference in to culture is bankrupt, without resources,
on poetic narratives about our existence. Clément Delépine, the selection of exhibitors arrival of the Art Basel quality seal in the their dimensions. “The passage between In search of lost time, culture moves without structure. Just to give you an
was made from a universe of proponents French capital. According to him, the them became much more subtle, so each throughout Brazil in order to rebuild itself idea: there has been an 85% reduction in
fairs paris + art BasEl [paGEs 22 to 26] “four to five times larger”. In addition to historic fiac had been “pushing various participating exhibitor stood out more for after going through the darkest period of resources since 2016. We jumped from
global giants such as David Zwirner and organizational and gallery selection issues the quality of the project than for the size public management in the sector. After the R$241 million to R$36 million. It’s almost
ART BASEL SHAKES PARIS Gagosian, Paris+ sought to reflect a more for many years”. of its space”, she said. “It seemed more record passage of seven holders in four a joke, if it weren’t in bad taste,” said Juca
With the quality seal of the Swiss franchise, Parisian personality, with the presence of “There were barriers to internationalization like a construction occupation than a mere years by the Special Secretariat of Culture, Ferreira, one of the coordinators of the
the neophyte Paris+ took the place of the local exhibitors such as Jocelyn Wolff and and greater diversity,” he says. “I don’t think distribution of stands, which resulted in a fair the highest body of cultural policy in the elected government’s Transition Group.
traditional FIAC, reinforced the pulsating Mor Charpentier. Smaller exhibitors were most French people would have been happy with the character of a collective project”. country, it is possible to say that, yes, there The amount Ferreira refers to is the direct
art scene in the French capital, scared also present, such as Projectesd (Barcelona) with a foreign group taking the place of their Jaqueline took to Paris Internationale was success in mortally wounding itself and budget of the Secretary of Culture, without
rival Frieze, from London, and promoted
diversification in the selection of galleries; and Société (Berlin). flagship fair, but Art Basel enabled a much- works by plastic artists Regina Parra and paralyzing the national ecosystem of culture. the amounts related to tax incentives and
from Brazil, A Gentil Carioca and Fortes According to Artsy, among the highest needed revamp, and its forte was the quality Hudinilson Jr (1957-2013). It was the first During this period, nothing was effectively cultural funds – but, to give you an idea, the
D’Aloia & Gabriel participated, which sales figures was a painting – The dream, of the art displayed. In fact, they managed time that the gallery took Parra’s work to an done in the sector. The focus has always budget of the Secretary of Culture of the
premiered representation of León Ferrari 2022 – by the American painter George to supersede expectations”. international fair, and the result could not been regressive, paralyzing or obstructive. city of São Paulo for 2023 is of R$ 611 million.
Condo, acquired from Hauser & Wirth for Gabriela Moraes, director of A Gentil have been better: all five works by the artist Part of the management time was spent with More than showing the collapse of federal
By Eduardo simõEs WitH collaBoration us$ 2.65 million (almost R$ 14 million) in Carioca, stated that the gallery had a great were sold, to buyers in the United States denialist or innocuous proposals, which action in the sector, the number shown by
from patricia roussEaux the first fair day. Pace Gallery, on the other result with Maxwell’s works. According to or Europe. As for Hudinilson, four of her forced civil society to articulate to combat Ferreira illustrates how the Brazilian State
hand, sold a work by fellow American Robert her, the success was a reflection of two creations were sold, also for American or them – in which public money, qualified has given up stimulating an entire area
the worlD sCene of art fairs was taken Motherwell – Je t’aime No II, 1955 – for us$ 6.5 previous exhibitions that the artist had held European collectors. Jaqueline points out effort was spent and space for propositional that is crucial for national development.
by surprise with the announcement, earlier million (over R$ 34 million) the following day. in France: one at mac Lyon, in 2019, and that Hudinilson has had a large institutional articulation was lost. Deliberately. To do so, he resorted to
this year, that the fiac (Foire Internationale According to Mathieu Paris, senior another in early 2022, lasting three months presence around the world, which also For example: in the midst of a pandemic, boycott devices or counterproductive and
d’Art Contemporain) – created in 1974, but director of White Cube, “everyone seemed at the Palais de Tokyo, in Paris. reinforces the marketing strength of his the extremist military police officer who aggressive initiatives – some secretaries of
which since 1975 took place at the Grand to be in Paris” and the new fair “definitely “It was the first participation of A Gentil production. responded to the Secretariat for the the period, as revealed by the press, even
Palais, in the French capital – would leave increased the attraction power of the city’s Carioca in a fair in France. I worked at fiac Promotion and Incentive to Culture, started to dispatch people with weapons
the scene in 2022 to make way for Paris+ by art market”, which, according to him, for in 2019, in another gallery, and I can say that “The arrival of Art Basel brings a different André Porciuncula, edited an ordinance in public offices, to intimidate civil servants.
Art Basel, the newest venture by the Swiss some time “has been going through a strong Art Basel has given new energy to the art kind of know-how and expertise that will prohibiting the requirement of a passport A diagnosis led by filmmaker Joel
group mcH. Since 1970, the conglomerate renaissance and has regained an important week, with more international collectors, benefit this microcosm”, Mathieu Paris, for vaccination against covid-19 to attend Zito Araújo, who deals with the issue
has produced the original Art Basel, in role as the art capital of the world. Paris+ an upgrade in the fair’s facilities, which White Cube (Le Quotidien de l’Art) cultural events financed with resources of communication in the governmental
Basel, as well as editions in Miami Beach was a strong sign of that”, said the gallerist, are in a temporary location, and a section from the Rouanet Law. Opposing the public transition, revealed that the recent
and Hong Kong. in a statement from Art Basel. for galleries emerging markets”, said the “The first edition of Paris+ is an opportunity health measures, the Special Secretariat for period has been one of censorship, moral
Between collectors and the general public, Also at the beginning of the year, Marc gallerist. to ride the wave of innovation. The Art Recall Culture forced the Justice to examine and harassment and persecution of cultural
around 40,000 people attended the fair. Spiegler, who in 2023 leaves the position of As for the rivalry with Frieze, she argued app is the first to perpetuate the connections overthrow this bizarre factoid. workers, of militarization of public
International buyers, especially institutions director of Art Basel after 15 years, told The that one cannot disregard the fact that the made face-to-face at art fairs”, Margaux In December 2021, the then secretary companies, of voluntary submission and
in the United States such as Moma in New art newspaper that he hoped to promote, London fair is “suffering the consequences Lebel, Director of Operations for Art Recall Mário Frias set a goal for the analysis of intolerance of criticism.
York and The Art Institute of Chicago, as well with Paris+, an activation of the entire of the withdrawal of the European (Le Quotidien de l’Art) old accounts by the Culture Secretariat – In the Historical Heritage, the purge of
as collectors in South Korea, would have French capital, in partnerships with major community, causing sales to have an import a daily average of analysis of six projects, professionals with a technical profile (to
greatly boosted sales, according to The Art institutions of local art, such as the Louvre tax that did not exist before” “We find here a thought of great quality, a and a monthly average of 120 projects. The accommodate, for example, an extremist
78 79