Page 84 - ARTE!Brasileiros #52
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ENGLISH VERSION AGAINST THE DEVASTATION




           editorial [page 10]
                                             Andrea Giunta, researcher and curator of the   article about the meeting with curators and
           AGAINST THE                      Mercosur Biennial 12, who had to dive into the   artists at the Berlin Biennale that took place
           DEVASTATION!                     adaptation of the event with the project curators,   at our magazine’s seminar.
                                            said at the Seminar: “Art has the ability to be
                                            an archive, an archive of experiences that were   raFael CarDoso is a writer and art historian,
           Since March 2020, while we isolated ourselves   created at different times. And with this file we   PhD from the Courtauld Institute of Art. He is a
           as a form of security in the face of an epidemic   can ask the questions of the present.”  member of the Graduate Program in Art History
           unprecedented in our generation, we   This  edition  is  populated  with  articles   at UerJ and works as an associate researcher
           accompanied the closure of our daily meeting   that show ideas and productions of artists   with the Lateinamerika-Institut of the Freie
           spaces: bakeries, bars, restaurants, cinemas,   and curators who work in dialogue with their   Universität Berlin. He is the author of several
           theaters, museums, galleries, bookstores,   surroundings; works that reflect an attitude of   books about history of art and design, as well
           hairdressers. Thus, each of us organized our   immersion in his time; works that express the   as four works of fiction.
           activities seeking solutions to a completely   need to abandon the self-centered subject, to
           unexpected reality.              think about the importance of learning with the   international seminar | opening [pages 12 and 13]
            At the same time, in the world and in Brazil   other, and from the other.  VI INTERNATIONAL
           specifically, crimes of omission and attacks on   ps: We were very happy to know, at the end
           life were intensified: against rivers, mangroves,   of this edition that arte!brasileiros had been  VIRTUAL SEMINAR
           forests, animals, women, blacks, immigrants,   recognized by aBCa, with the Antônio Bento  ARTE!BRASILEIROS: IN
           cultural institutions, in short, attacks on   Award 2019, as the best vehicle of diffusion in   DEFENSE OF NATURE
           everything that did not represent an immediate   the media of art and culture. We will remain   AND CULTURE - THE ART
           socioeconomic retribution or did not generate   committed to the quality and coherence of
           some kind of immediate profit. Solutions for   our work.         OF THE POSSIBLE
           health and science began to be questioned at the                 Read the full coverage of the event held by
           expense of supposed fiscal and financial gains. Collaborators [page 08]  arte!brasileiros and the Goethe-Institut on
            We had the feeling that the floodgates of                       October 8th and 9th
           a dam filled with backwardness and hatred   number 52 October November 2020  neWsroom
           were opened and, almost like in a sci-fi movie,   artebrasileiros.com.br
           monsters of all kinds were in a stampede capable   Cover: Rivane Neunschwander, detail of the work   helD in DiFFerent Cities anD institutions,
           of updating the atrocities that once formed part   Tropics: Damned, Orgasmic and Devoted 7, 2020  international seminars and debates organized
           of our colonial history.                                         by arte!brasileiros are considered important
            The cover of this edition, a detail of the work   miguel groisman is a journalist graduated   spaces for reflection, diffusion and diffusion of
          Trópicos malditos, gozosos e devotos 7, 2020,   from Faculdade Cásper Líbero and now he   contemporary critical thinking, related not only
           by the artist Rivane Neuenschwander, is almost   studies Cinema at faap. As a researcher, he   to the world of art, but to society as a whole.
           a synthesis of what the unconscious and art   has already explored the image representation of   From “Collecting in Brazil in the 21st century”, in
           can come to express, against fear and violence.  people living with hiv / aids in photojournalism.     2012, to “Cultural Management: Contemporary
            When we began discussions on the holding   He is an arte!brasileiros reporter and writes,   Challenges”, in 2019, a large number of thinkers
           of our 6th International Seminar in May of this   in this edition, a report on the South African   from different countries and areas were able to
           year, together with the directors of the Goethe-  photographer Gideon Mendel.  dialogue among themselves and with the public
           Institut, our partners in the project, the urgency               about a wide variety of themes.
           of defending man and nature were urgent. We   marCos grinspum Ferraz is a journalist.     Continuing this journey, on October 8 and 9,
           feel the need for art to be part of the reflection   Graduated in Social Sciences from Usp, he   2020, arte!brasileiros held, in partnership with
           on the notion of the world we want to inhabit.  worked between 2009 and 2012 at the Folha   the Goethe-Institut, the “vi Virtual International
            In this sense we managed to enable a virtual   de S.Paulo newspaper and between 2012 and   Seminar arte!Brasileiros: In defense of nature
           meeting, where the cast of guests - artists,   2017 at Editora Brasileiros. In arte!brasileiros   and culture - the art of possible”. This time,
           philosophers, scientists, environmental leaders   since 2019, he writes in this edition about the   not at the Ibirapuera Auditorium, Itaú Cultural,
           and curators - who have been working in this   artist Isael Maxakalí.  mam-sp or CCBB Rio - places that have hosted
           complex scenario for a long time, had the                        these events -, but on the web, on the YouTube
           opportunity to talk about their activities in   giulia garCia is a journalist graduated from   platform.
           their different countries and places of activity.  Faculdade Cásper Líbero, an actress graduated   The impossibility of the face-to-face meeting,
            “When we break the flows of the Earth, we harm   from Senac-sp, and a researcher in Art and   resulting from the Covid-19 pandemic and the
           it, because it is a whole, it has a consciousness   Communication. She has already worked as   need for social isolation, brought several new
           of its own and we cannot cut it as a mosaic, as we   a reporter for Trip and Tpm and is currently   challenges and some difficulties, but it also
           are doing. For hundreds of years our shamans   part of arte!brasileiros team! In this edition she   resulted in a great “collateral advantage” - so to
           have been warning to take care of nature, we   writes about Asian-Brazilian art in addition to   speak -, a much higher audience seen in previous
           are nature,” said young indigenous activist and   stereotypes.   events. There were about 5,000 accesses during
           artist Naiara Tukano wisely.                                     the two days of the event, with numbers that
            So we made the meeting a place from where   eDuarDo simões is a culture journalist. He   continue to rise on the platforms, since the
           we could feel less alone, as a method of defense.   worked as a reporter for O Globo and Folha   event is still available on our channel.
           Word and art have been fundamental weapons   de S.Paulo, and he was also an editor for   The theme of the pandemic, which does not
           for reflection, comfort and attack.  artre!brasileiros. In this edition, he signs an   appear disconnected from the destruction of

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