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ENGLISH VERSION ON THE PROWL


           Not that it doesn’t happen at the museum.  museums increasingly lose support; so,  environment”, explains the director.
         At this moment, for example, Castello di   I want to be able to go back to teaching,   And  this  “domestic  spirit”  was
          Rivoli is presenting the exhibition Artists   from time to time to hold a large exhibition,  maintained to avoid the dominant white
          in Time of War, conceived by Carolyn   but, above all, to think and think together   cube in typical 20th century exhibition
          herself even before the pandemic – this   with artists”, she concludes.  spaces. “The museum of modern art
          would be the third stage of a series                               created a white space that generates
          called Expressions, and which ended up   international interview [pages 70 and 71]  value  for  the  work,  but  which  also
          coinciding with the war in Ukraine.                                distances it from its function, which is
           The exhibition features artists who   ECLECTICISM MARKS THE       to elaborate life through the symbolic, to
          have experienced conflict situations  CERRUTI COLLECTION            use a Lacanian term. So I tried to keep
          over the last few centuries, whether                               that domestic spirit”, says Carolyn.
          it be Goya, in Spain, or his famous   Italian businessman leaves home with 1,300   She compares Cerruti’s house to
          series The Disasters of War , from the   works, from the 14th to the 20th century   another space organized by the Turkish
          early 19th century, passing through the                            writer  Orhan  Pamuk,  in  Istanbul,  a
          photographer Lee Miller, who portrayed   by fabio cypriano         fictional museum created together with
          the liberation of concentration camps                              the book The Museum of Innocence.
          and Hitler’s own house, in Munich, as  the history of one of the most  The obvious difference is that while in
          well as Dinh Q Lê, which brings together   impressive collections in Europe is quite   Pamuk’s museum the characters he
          a series of drawings produced during   particular. Francesco Federici Cerruti   addresses are in fact fictional, Cerruti,
          the war in Vietnam in the 1960s.  (1922-2015)  was  one  of  the  richest   despite all the mystery surrounding his
           This harmony with the present time is   entrepreneurs in the graphics industry   story, was himself the one who gathered
          due to a method that Carolyn borrows from  – he printed telephone directories and   the entire collection, buying the works
          another director of Documenta, the French   made his fortune with them. Despite this,  especially in galleries and auctions.
          woman Catherine David, responsible for   he led an almost monastic life. He lived   Castello di Rivoli itself, recalls the curator,
          the 10th edition, in 1997. For her, the curator   in a modest apartment in Turin, close to   also has a similar history, as it was a
          must work with “the urgencies”. “While   the company. He did not marry or have   residence of the Savoy family. “Cerruti
          you make an exhibition, you are trying to   public affairs with lovers. His hobby was   helps me to look at Castello di Rivoli in
          understand the world and working with   collecting, both rare books, furniture   a fresh way,” says Carolyn. 
          artists who are also trying to understand   and art, which he gathered in a country   The collection is quite eclectic, with a
          the world for people who, when visiting   house in Rivoli, built for his parents in the   very international tone, without trying to
          the exhibition, can try to understand the   1960s, but who refused to live there. On   reflect Italian production, especially from
          world”, defines the director of Castello   the outside, it has a modernist design,  the Arte Povera movement, which had
          di Rivoli. If it remained at the museum, in   but inside it’s like an 18th or 19th century   many artists living in the region. Thus,
         2024, the urgency would be to deal with   palace in miniature.      stellar names such as Francis Bacon
          the digital issue.                 In this house, Cerruti slept only once.  and Warhol himself are some of the
           “I’m very interested in digital artists.  But it was in this environment that he   most prominent contemporaries, but
         That’s why I looked for Beeple (the   spent his Sundays reading newspapers   the modernists are the vast majority
         American Michael Joseph Winkelmann),  and appreciating his works, which date   in the collection, including Kandinsky,
          who is today’s Andy Warhol. What Warhol   from the 14th century to contemporary   Miró, Renoir, Chagall, Egon Schiele,
          was to consumer society, Beeple is to   art, whose most famous name is Andy   Giacometti, Magritte and Picasso. Of
          digital culture, criticizing that time”, he   Warhol. In total, it houses 300 paintings   course, renowned Italians were also
          says, with his usual animation. In fact,  and sculptures, 300 pieces of furniture   included, such as Morandi, Giorgio de
          she already has a YouTube video series   and 200 rare books.       Chirico, Lucia Fontana, Giacomo Balla
          with Beeple, in which she teaches art   While he was alive, Cerruti created a   and Modigliani. Cerruti’s last acquisition
          history and he teaches digital culture.  foundation to maintain his collection –  was in 1914, five years before his death,
           Returning to the tasks of museum   since he had no heirs – and the Castello   at a Sotheby’s auction, a painting by
          director, there is another temporality: “90%   di Rivoli was chosen to manage the   Renoir, Young Woman with Roses of 1897.
          of the work has to do with the collection,  house-museum. It was almost four years,   While museums should be concerned
          which is what nobody talks about, but it   between 2016 and 2019, that Carolyn   with building collections that deal with
          is the most important part, af er all the   Christov-Bakarkiev dedicated herself   the history of art in a broad and inclusive
          collection is today’s narrative which will be   to organizing the collection.  way, collections such as Cerruti’s reflect
          told in the future.” And here, the method   “The idea was to keep the works of art   the collector’s mind, and visiting the
          she borrows from her mother, an Italian   as they were in the house, but, at the   house is like entering it.
          archaeologist: “You have to put yourself in   same time, guarantee the safety and
          the shoes of tomorrow and look at today   climate conditions of a museum”, she   reportage choque cultural [pages 72 to 77]
          with an archaeological perspective.”  explains. Despite being a house, the
           However, with increasing funding cuts   curator points out a dramatic character   CULTURAL SHOCK, 20
          for European public museums, Carolyn   in its constitution. “This house was a  YEARS OF RUPTURES
          has increasingly found herself having to   kind of theater for Cerruti, he never   the gallery emerged in 2004, in the
          take care of fundraising, and she wants to   lived there, there wasn’t even gas in   neighborhood of vila madalena, with
          break out of that phase. “To be in charge   the kitchen. Regardless of the period,   expanded attitudes dialogue with
                                                                             various media
          of the museum is to spend a lot of time   which goes from 1300 to the 20th century,
          and effort to raise funds, because public   the works were exhibited in a domestic   by leonor amarante
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