Page 101 - ARTE!Brasileiros #40
P. 101
EXCLUSION, ART AND THE PLACE OF SPEECH ENGLISH VERSION
NATIONAL EXHIBITIONS
46 SÃO PAULO IS NOT A CITY two texts: one on Mauro Restiffe’s work, on view at Pinacoteca,
and the other on the exhibition São Paulo não é uma cidade [São
EXHIBITION AT SESC 24 DE MAIO GATHERS WORKS AND DOCUMENTS Paulo is not a City], at Sesc 24 de Maio, and a preliminary view
THAT ADDRESS THE METROPOLIS’ CONTRADICTIONS
on IMS’s opening in São Paulo.
54 MAURO RESTIFFE
CURATED BY RODRIGO MOURA, EXHIBITION PRESENTS A BROAD Mariana Tessitore, journalist. She holds a degree in Social
PANORAMA OF THE PHOTOGRAPHER’S WORK Communication from PUC and in History from the University of
São Paulo. She has worked at Época magazine and in cultural
58 SOMOS TODXS NEGRXS? [ARE WE ALL BLACK?] institutions such as Videobrasil and the São Paulo Biennale. In
ON VIEW AT VIDEOBRASIL, EXHIBITION ESTABLISHES A DIALOGUE BETWEEN YOUNG this issue, the reporter writes a profile of Jaime Lauriano, one
AND CELEBRATED BLACK ARTISTS
of the artists who have won the Marcantonio Vilaça Award.
64 ARCHIVE
IN 2011, THE PHOTOGRAPHER MIGUEL RIO BRANCO TALKED COVER: ASSENTAMENTO (2013), ROSANA PAULINO. PHOTO MARCOS “COIL" LOPES
TO ARTE!BRASILEIROS ABOUT HIS PRODUCTION. READ AGAIN
AROUND | PAGES 12 TO 16
72 INSTITUTION
AIMING AT A BROAD AUDIENCE, THE MOREIRA SALLES INSTITUTE TURKEY
OPENS ITS NEW HEADQUARTERS AT PAULISTA AVENUE
ISTANBUL BIENNALE ADDRESSES COEXISTENCE
76 ARTICLE
THE PSYCHOANALYST CHRISTIAN DUNKER WRITES ABOUT THE FEMALE SEXUALIZATION “The good neighbor is that whom we rarely see?” This is
IN BRAZILIAN ART one of the issues presented at the 15th Istanbul Biennial,
whose theme is A Good Neighbor. The show, on view from
BOOK 9/16 through 11/12, is curated by the Danish duo Elmgreen &
82 LEONILSON Dragset. In 2009 they curated the Nordic and Danish pavilion
CATALOGUE RAISONNÉ COLLECTS 3,400 RECORDS OF WORKS MADE BY THE VISUAL ARTIST of the Venice Biennale, presenting the show The Collectors,
for which they won a special mention. For Istanbul, Elmgreen
86 ADOLFO MONTEJO NAVAS
IN AN UNPUBLISHED ESSAY, THE CRITIC BLURS THE LINE BETWEEN & Dragset invited 55 artists, including Mark Dion, Fernando
PHOTOGRAPHY AND POETRY Lanhas, Olaf Metzel and Victor Leguy, the sole Brazilian in
this edition. The Biennial will occupy six venues in the Turkish
96 REVIEW city, from the Istanbul Modern, the city’s largest modern and
VENICE BIENNALE AND LETÍCIA PARENTE AT THE JAQUELINE MARTINS GALLERY contemporary art museum to the historic Hamman Küçük
Mustafa Pa a, built in 1477, in which male artists will occupy
1 | DETAIL OF THE WORK FROM THE SERIES ACEITA? [ACCEPTED?], BY MOISÉS PATRICIO the female part of the sauna and vice-versa.
2 | FRONT, DETAIL OF THE WORK COLUMNA VERTEBRAL ROJA (2016), SANDRA FRANCE
MONTERROSO. BACK, DETAIL OF THE WORK AVENIDA PAULISTA (2016), MICHAEL WESELY
TRIBUTE TO BAUDELAIRE
COLLABORATORS | PAGE8 With the theme Floating Worlds, the Lyon Contemporary Art
Biennale showcases over sixty artists from the five continents.
ISSUE 40 SEPTEMBER OCTOBER 2017 PAGINAB.COM.BR The show, curated by the art historian Emma Lavigne, is on view
from 9/20 through 1/7/2018. In a foreign press interview, Lavigne
Christian Dunker, psychoanalyst. Titular professor of University of claimed that one of the major inspirations for the exhibition is
São Paulo’s Institute of Psychology, he holds a postdoctoral degree the work of the French poet Charles Baudelaire, especially his
from the Manchester Metropolitan University. Author of Mal- reflections on modernity. Among the participating artists, there
Estar,Sofrimento e Sintoma e Constituição da Clínica Psicanalítica, are five Brazilians: Anna Maria Maiolino, Cildo Meireles, Ernesto
winner of the Jabuti Prize. Columnist at PáginaB!, he authors an Neto, Lygia Pape and Rivane Neuenschwander. The works are
article on the female sexualization in the arts. distributed in three venues in Lyon: the Museum of Contemporary
Art, the Sucrière and the geodesic dome built by the architect
Fabio Cypriano, art critic at Folha de S. Paulo, professor and Richard Buckminster Fuller. In addition to contemporary works,
PhD in Communication and Semiotics at the Pontifical Catholic the show will present historic works by artists such as Alexander
University of São Paulo (PUC-SP). He coordinates PUC-SP’s Art Calder and Lucio Fontana.
Curatorship course and is a member of ARTE!Brasileiros’s editorial
board. He authors six texts in this issue, including a reflection on
the Venice Biennale and an article on the new edition of Skulptur USA
Projekte Münster. IRAN DO ESPÍRITO SANTO IN NEW YORK
Marcelo Pinheiro, journalist. In eight years collaborating to
Brasileiros Editora in the roles of reporter and editor he has Known for portraying everyday objects, Iran do Espírito Santo
published interviews, profiles and articles with major personalities showcases his works in New York. Entitled SHIFT, the show is
of the Brazilian culture. In this issue, he authors an interview with on view at the Sean Kelly gallery from 9/8 through 10/21. This
Miguel Rio Branco and the text on the exhibition Agora Somos is the fifth time that Espírito Santo presents his works in the
Todxs Negrxs? [Now Are We All Black?] gallery. Numerous recently produced pieces will be shown,
Maria Hirszman, journalist and art critic, she has worked at Jornal including sculptures, drawings made directly on the walls,
da Tarde and O Estado de S. Paulo. She is a researcher in Art History and works on paper. One remarkable work is the series of ten
and holds a Master’s degree from the School of Communication sculptures made with stainless steel pans, which occupy the
and Arts of the University of São Paulo. In this issue, she authors gallery’s main room.
Book_ARTE 40_Bilingue.indb 101 9/21/2017 3:58:13 PM