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The same instability, that left Maria do Rosário at the mercy of   INSTITUTION INTERNATIONAL CONFERENCE | PAGES 72 TO 75
              market tides, affects the majority of contemporary women artists.
              With an exhibition in New York and a retrospective scheduled for   SO MUCH SEA
              December also in Pinacoteca in São Paulo (institution where far
              more feminist programming takes place in 2018), Rosana Paulino   THE GOETHE INSTITUTE IN BRAZIL PREPARE TO REALIZE SOUTH
              points out that for years had her work – based on her experiences   ATLANTIC ECHOES CONFERENCE. IT WILL BE IN SALVADOR, BAHIA
              and by black women- more recognized abroad than in the country.   FROM APRIL 23 TO 25
              She has received several invitations to establish residence outside
              and that only remained by stubbornness. “I decided to stay   BY PATRICIA ROUSSEAUX
              because I thought Brazilian scene needed discussions like the
              one I proposed. And I confess that I do not regret this choice. It   IN 2015, the Goethe Institute launched the project South Episodes,
              is very good, surprising even, view the production that’s coming   promoting during three years a series of debates, researches,
              around. I didn’t think I’d see this in life. And of course this reflects   exchange programmes, artistic productions and international
              in my production when I choose to discuss topics that brazilian   meetings, whose main focus was the decolonisation of thinking.
              society always swept under the carpet, as the marks left by slavery   Artists, curators, academics and various cultural players, mainly
              in the country, “she says.                          from Latin America, Asia and Africa, discussed the “non-conformity”
              The artist believes that this greater openness stems from the urgent  with the colonial history, the need to discuss the existence or not
              character of the issues with which it works and to a greater freedom  of a global art history and which could be the paths of knowledge
              of choice of the path to be followed. “We have a larger aperture   acquisition and mediation.
              to other ways of thinking and produce art,” she says. This change   Several meetings were held. The Museal Episode, for instance,
              stems from multiple factors, such as increased political and social   allowed in 2016 and 2017, that Museum Directors from different
              consciousness, the cooling of formalism as single path and the   continents gathering in Salvador, Brazil, Santa Cruz and La Paz in
              internationalization of production. “You can’t ignore this new global   Bolivia and Johannesburg , South Africa to exchange ideas about
              posture, you can’t pretend it doesn’t exist, with the risk of getting   the future of museums.
              stucked in the 20th century when the rest of the world has already  All events, although leaving from different issues were permeated
              entered the 21st,” notes.                           by the intention of thinking of the South, “from it self”.
              This historic mismatch, the need to continue the mobilization started   In the words of Indian anthropologist, Arjun Appadurai “instead of
              decades ago, is something also raised by Josely Carvalho, whose   thinking about a theory of the South that raises traditional ways of
              exhibition “Diário de Cheiros – Teto de vidro”, is one of the highlights   thinking from the North, a ‘ South ‘ theory that will lead to another
              of the season in the MAC museum. The artist, that moved out to U.S.  architecture of global culture”. (ARTE!Brasileiros # 36)
              after the brazilian military coup and lives in New York since the 70’s,   Now, from April 2018, Goethe will give the follow up to it’s cultural
              where she is engaged in contemporary art’s feminist movement,   investment and promotes the “ECHOES OF THE SOUTH ATLANTIC
              said she is “astounded that we’re talking about the same thing as   CONFERENCE , about the future of transatlantic relations of
              in the 80’s”. Uncomfortable by the fact that she was long labeled   the South”
              “feminist” in Brazil, she believes we live in a propitious moment to   The Conference will address from different perspectives, multi-
              destabilize the self-indulgence. And that today there are various   disciplinary, multi - space and multi - temporary, the future of
              weapons for this. “Today I am at the smell, but this is the female   transatlantic relations in the South, starting from the base of the
              sensibility’smell, is something you don’t expect to decrease. So I   role of Europe in the past, present and future.
              expect decrease the fight for space, for power, “she says when talking   In the definition of the Institute, until 15th century, the Atlantic
              about olfactory installations she created for the MAC project. The   represented a noticeable border between Africa and Europe on one
              exposition” Radical Women”, that Pinacoteca will show on second   side and America on the other. With the discovery this borders are
              half this year(after a season atthe Brooklyn Museum) is, according   brake an begins a history of colonization, enslavement, exploitation,
              to her, an initiative that promises to bring out with the intensity and  migration and enrichment of Europe. This created an indissoluble
              necessity for a fight by a more equitable space, collective and artistic  bond between the three continents. As the power relations and
              strategies adopted by pioneering artists from 60’s and 70’s and its   political relationships change, the interests of exchange between
              similarities with the current policies of struggle.  the three continents is increasing.
              Another way that is gaining strength, and not just in the arts circuit,   What is the importance of the Transatlantic Triangle in the 21st
              is the union of women around common flags, creating mechanisms  century? What kind of position will take Europe on Africa and
              for complaint and also effective policies of occupation of space.   South America, after having made the role of colonial hegemony-in
              CODEM. RED - women’s cooperation network is one of those actions,   different nuances-for the past 500 years? How to deal with
              which has been bringing together artists from all over Brazil and   knowledge and discoveries of the past in relation to future
              even from outside. Among its proposals are promoting mutual   trajectories?
              support and solidarity, creating a large database with the profile of  How to determine developments in social, economic, political and
              its members and the provision of legal assistance to associates. “In  cultural in the respective regions of the world? What stories open
              less than two weeks we already have 110 women from every country   the way for the future and what cultural strategies and innovations
              from : PE, SP, PR, RS, RJ and DF, Brazilian states” says Ana Luisa   can improve life on Earth on substantial and sustainable way?
              Lima, one of the responsible for the initiative.    To present their work and discuss matters as “New historiography”,






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